So I never did get around to posting my last blocks for February and it’s already a week into March! February was kind of a wasted month, craft-wise, for me, but I did get a big burst of things done right at the end of the month, including a second set of February blocks all in lower volume fabrics.
I spent a lot of January toying with the idea of a low volume Gypsy Wife quilt – it’s such a vibrant, kind of crazycakes quilt that I started to wonder what would happen if you turned everything down a notch. Or ten. And so I put together this block (actually, even before I finished my brights version I’d done this one). It’s very pastel, at least in the centre, and that’s not something I really have a huge amount of in my stash, but I do have a lot of neutrals, so I’m cautiously committing myself to two versions of this quilt. (Cautiously because I’m a little afraid I’ll hit some point where I can’t keep up with two versions, and this will be the one to get put on hold, or converted to a baby quilt or something if I have enough blocks, or I won’t have enough interesting fabrics to make a lower volume version.)
I keep saying “lower” volume, rather than “low” because I’m not quite sure where to draw the line on what is low volume and what is… just quieter or greyer than a lot of the particularly bright, clear colours I have. Just for some examples, when I was looking through my fabrics, I thought the gold in that honeycomb print was sort of… near enough to a neutral that it wouldn’t read too dark/too loud, but it feels a lot darker than anything in the colour wheel block. Or say that tan print in the lower right block – doesn’t it seem kind of dark? The red and the blue on the bottom left also seem just Too Much, even though they both seemed to be very white-heavy prints when I choose them. I guess with those particular prints, it’s partly that I was looking at a larger piece of fabric and then happened to land on cuts that actually contained more of the colour and less of the white space – so I do need to be more conscious of what the fabric will look like when it’s a very small piece, placed into something else. And I need to remember too all of these are just rather small pieces in something that will be much larger, so they might not feel too dark or too bright once they’re surrounded by all the other things.
A lot of these fabrics were fished out of my scrap bins and I’m trying to make a conscious effort to use even the uglies – skip back up one photo and look at that truly horrendous pink floral or even this one here with the ladybug: that print has SNAILS on it (one of my most horrifying sense memories was stepping barefoot on a slug squish and even though snails have shells, I still associate them with slugs and that revulsion I still feel when I think of stepping on it – I’m come from a very dry place where slugs are NOT a going concern, it’s possible I didn’t even know they existed and that running around barefoot in British Columbia in a grassy backyard was a Bad Idea). I’m trying to remind myself that even the uglies can have a place in a quilt, but man is it hard to look at some of those prints and feel okay about mixing them in there!
These are all my blocks so far – brights and quietish. I guess we’ll see where all this goes!
I need to run for work, but I want to offer up a link to a spreadsheet I spent a ridiculous amount of time building, which can be found here that shows all the blocks in the Gypsy Wife quilt with their name, size in quilt (so your loose blocks should be 1/2-inch larger than this), page location in the booklet, month we’ll be sewing them, and (more importantly for me!) what section of the quilt you can find them in. Here’s a small section of it below:
I’m planning to “file” all my blocks in large envelopes by section as they get made (since they’ll overtake my design wall before too long, especially if I keep up making two versions!) so I wanted to know exactly which section each block belong in. Maybe you’ll find this useful too!
Finally, I really, really need to go, but I want to remind everybody about all the incredible, awesome sponsors we’ve got for this quiltalong! I’m going to have to come back tomorrow morning after work and edit in their logos/links, but we’ve got an amazing line up of companies whose products and services I’ve bought and used and loved and I hope you’ll all love them as much as we do:
Hawthorne Threads | Fat Quarter Shop | Aurifil | Spoonflower | Oakshott | Crimson Tate