21/04/2012

Fabric Postcards for Postcard Swap

by clumsykristel

It occurs to me somewhat belatedly that not only have I not been updating anything here, but that I’ve got a little backlog of finished items to post. I’ve always been a bad blog writer because I get so easily bored, but normally at least I put up the finished stuff, even if I don’t get around to talking about what’s going on in between. (Right now: working on my very first quilting project, stitching the birds and then picking them out and then stitching them again and then picking them out…)

Anyway, I’ve done another fabric postcard swap at my Livejournal group (Fabric Postcard Swap). (You can see what I sent out for previous swaps here and here.) When I started planning to do another swap, I was working on some little embroidery patterns, just to practise my stitches, so two of the cards here definitely feature that.

Jellyfish embroidered fabric postcard

This was my second practise piece, but it’s my favourite of the two! Love the jellyfish! It’s done with satin stitch, stem stitch, and some unfortunate French knots. The pattern came from a Sublime Stitching craft pad. Usually when I’m making fabric postcards, I wind up using whatever scraps are at the top of my pile, and that’s pretty true with this card too, as the background of it (and the other embroidery card) is using some Moda Crossweave fabric, which I’m currently using in a Block of the Month from Sew, Mama, Sew.

Hello embroidered fabric postcard

This was the other heavily embroidered card. There are tons of things I’d change about it if I could, well, not tons, but some of the stitching anyway, but I still like the idea of it even if not the execution. The worst bit about it is that it looks really dirty. I’d decided to use fusible batting (June Taylor fusible) to ease the quilting process and ironing it brought up beads of glue. So not impressed. I use paper backs on my cards, rather than fabric, so I couldn’t wash it (which would probably have gotten rid of the glue). I don’t know what I’ll do with the rest of that fusible batting. I’d used some of it for a table runner, and it brought up beads of glue with that too, but it was washable, so it didn’t turn out to be a very big deal, but I mostly have fairly small bits of it left. I hate to throw things away, so maybe I should just turn the iron down low if I use it for additional postcards and hope that’ll solve the problem.

This card actually disappeared in the mail, so it never reached its intended recipient. Annoying. (Despite all the shit talk people say about Canada Post, it happens so rarely, so it’s extra frustrating when it does.)

Hedgehog fabric postcard

Hedgie was probably my favourite card just because it’s so stinking cute. It’s paper pieced using a Sonja Callaghan pattern, which you can find at her blog Artisania. I had a world of trouble with Hedgie’s feet, but I don’t think it’s particularly noticeable (unless you’ve got the pattern in hand and can see where I decided to wing it paper-free). I didn’t want to deal with the small bit of fabric for his nose, so I embroidered that on when I did his eye. The rest of the embroidery was incredibly lazy work – just a few stitches in approximately a butterfly shape, and some very lazy stem stitch for the grass. All the colours for the embroidery were chosen… because they happened to be sitting on my sewing table. The fabrics here are all scraps pulled from my scrap bags – I dug around until I found a strip long enough to make up the whole purple background and the dark brown was a bit of leftover binding strip. I can’t remember where I originally used the lighter brown, it hardly looks like something from MY stash, but there it was.

Abstract fabric postcard

This abstract one was one that started out somewhere entirely different from where it ended up. I’d started out planning to do a turquoise card with thin strips of red running horizontally through it, but then I found the scrap of that Laura Gunn poppy print and decided to use it instead. And then somehow when I was cutting, I wound up cutting all willy-nilly and definitely not all horizontally. Anyway, I kind of like how it turned out, but I am still curious what it’d have looked like if I’d followed my original plan. If I can find enough of those red scrap strips in my scrap bags, maybe I should try it out.

Star Trek fabric postcard

And finally a bonus card, sort of. The embroidered hand postcard disappeared en-route, but the person I was sending it to (Cosmic Twirling) is a fan of Star Trek, so I decided to do the replacement card as a Star Trek insignia. This paper pieced pattern came from Fandom in Stitches and was designed by Jennifer Ofenstein (of SewHooked.com). This pattern features some rather small little bits, most of which are centred around that star. Three units join up on the left side of the uppermost point, and MAN did my sewing machine hate going over that lump of fabric. The first time I sewed the top unit to the joined middle units, I forgot to do a basting stitch first. I don’t know if this is common amongst paper-piecers, but I always join my units with a basting stitch first and then when I’m sure about my placement, I do it for real. But I forgot, and it was really bad, so I had to unpick miles of tiny tiny stitching (or, you know, five inches) so that I could do it again, just a little bit better. I also accidentally missed an edge of fabric when I pressed one of the narrower pieces around the top, and so it stuck through, raw edges and all, along the right side, so I decided rather than undoing it all and fixing it, I’d just hide it! So that’s the explanation for the embroidered edge (which is split stitch, I think). I’m not a Star Trek fan (I wasn’t allowed to watch as a kid), so I don’t know how it stands up to the REAL insignia, but I’m pretty pleased with how it came out anyway.

03/04/2012

Talk to Me Tuesday #71

by clumsykristel

In which I show off a Star Trek fabric postcard (pattern from Fandom in Stitches, from here), four new Birthday blocks for the Livejournal group (photos here, with patterns from Modern Blocks: 99 Quilt Blocks from Your Favourite Designers and Quilter’s Cache, found here), and two new Modern Block of the Month blocks (photos here from Sew Mama Sew‘s Modern Block of the Month).

I should have a post tomorrow, possibly, with some photos of some of these things I’ve been working on.

14/03/2012

Talk to Me Tuesday #69: Stuff and Nonsense

by clumsykristel

In which I show yet another Modern Block of the Month, a fabric post card from Aalia7 and the 4 postcards I made for my fabric postcard exchange, and some baby gifts.

14/03/2012

Work in Progress Wednesday (The Nesting Place Lesson 1)

by clumsykristel
Left Bird (NP: Lesson 1) by clumsy chord
Left Bird (NP: Lesson 1), a photo by clumsy chord on Flickr.

Via Flickr:
Finished the left bird to the end of lesson one. (Feet and the beak and eye come later.) And now to start the right…

It looks much darker and the colour changes more stark in the photo than it does in real life. At least I think so… I need to look at it in sunlight again, rather than with a flash photography.

(The Nesting Place class taken through Needle ‘n Thread.)

10/03/2012

The Nesting Place (Lesson One)

by clumsykristel

Via Flickr:
I’m only 4, 5 weeks behind, but this is the start of the first week of my Nesting Place embroidery piece for a class at Needle ‘n Thread.

I’m about to start long and short stitch for the first time ever. Nerves. (Probably more than it’s worth. I have plenty of yarn; I can afford to make some mistakes.)

25/02/2012

Finished Project: Double Wedding Ring Table Runner

by clumsykristel
Double Wedding Ring by clumsy chord
Double Wedding Ring, a photo by clumsy chord on Flickr.

I keep not talking about this one because this photo is so dreary and it makes me not want to talk about it, but I’m going to have to get around to talking about it at some point. And it’s already gone off to it’s new home, so I really can’t take any more photos. And even if I could take more photos, the colours are pretty much spot on, so it’s not going to look much less dreary anyway. (I think it’s that off-white background with the sepia print on it. Just drags it right down to dreary.)

This was one of my oldest unfinished projects. I can’t remember when I started it, but I lived in Saskatoon at the time. And if I mentally travel back to when I lived there, I would have had to have started it sometime between 2004 and 2006, I think. A friend and I took a class at a local quilt shop there, Periwinkle Quilting, and it’s taken me lo these many years to finish it.

Someday I’ll catch up on all these old projects. (Actually, this is one of my 12 in 2012 projects, which is made up mostly of old projects. Though I’ve got older projects still…)

I still like this one, though it’s as traditional a pattern as traditional gets and though I did it in colours and prints that don’t really feel very me. At the time, way back when, my mom’s kitchen/dining/living room were done in pink and pale greens, and so I’d done this intending to fit in with that colour scheme, but with the intent of pulling it a little away from the sweetness of the pink and green and pushing it a little more towards the darker range with the burgundy.

It’s interesting to look at old projects like this and see what I knew at the time. In this case, how to put together colours/shades so that didn’t look flat – there’s lots of variation in value through the rings – and also how to put the emphasis on the burgundy rather than the pink. But it’s also frustrating to look at old projects and see what I didn’t know. How to accurately cut (along the grain). How to accurately piece. How to join my corners properly.

When I started working on this in January, my goal was basically just to get it done. I didn’t want to spend time trying to make it perfect (nor could I – the construction method was perfect for adding ripples and waves, but not so much for keeping things accurate), so I just fixed the most obvious problems (a split seam), pressed, and then quilted it.

In retrospect, I wish I’d quilted it more densely, but I like the blend of curves and straight lines I put into this. It’s meant to be a tablerunner, so if I’d done it more densely, it might sit a little flatter on a table, but I think it’ll be okay anyway. (And it doesn’t match my mom’s kitchen/dining/living room anymore, so I’m really not sure what she’ll do with it!)

When I’m back in Saskatchewan someday, I’ll have to take some more pictures to show a little more detail – the print on the back (which is a tiny little paisley, also used for most of the binding), and the blanket stitch in burgundy floss I did around the rings. And I’ll even measure it, because for whatever reason, I like to keep records like that.

In any case, it was finished on February 13, 2012 and gifted on February 17, 2012. At least five or so years late for the Mother’s Day gift it had been intended for, but gifted nonetheless.

10/02/2012

Fabric Friday: Anna Maria Horner’s Innocent Crush Velveteen Queen of Hearts in Plum

by clumsykristel

This is the first time I’ve bought velveteen before and it has such a nice feel. But I made a really foolish mistake that I ought to know better than to make at this point in my sewing life: check the scale of the print.

I bought this online (at fabric.com, where it’s currently on sale) and their photo does have a ruler along the bottom for scale, but the picture was tiny and I wasn’t paying attention and I assumed the hearts were probably about 3-4 inches across/high. Well. Try seven. Yeah… oops.

I’m not sure I’ll be able to use this for what I intended. I might, maybe, be able to fussy cut the print into place so it doesn’t look too ridiculous, but I’ll almost certainly wind up losing most of the really beautiful plum/red colour. Well, I guess we’ll see.

03/02/2012

Embroidered Bag from Aalia7

by clumsykristel

Two days ago I got the most beautiful thing ever in the mail: an embroidered bag from Aalia7, who auctioned off a custom-designed bag at Ofenjen’s Love for Lily auction in December last year. All my attempts to photograph this bag were pretty much miserable failures, so I’m thiefing this photo of Aalia’s to show you the bag itself:

'Kristel's Garden' bag

I was really hoping to win this auction because Aalia7 does the most ridiculously beautiful embroidery and I wanted some for me. But then, of course, I had to decide what I wanted on it! Which is awfully hard because I’m very indecisive and who knows if the things I like will come together or just look ridiculous or… I don’t know. Maybe I’m just indecisive. So I threw a lot of ideas at the wall and Aalia7 found a way to make sure all of it stuck :D

Aalia had proposed the idea of something fandom-related, which I do like, except that I like it in a very subtle way, so mostly I focussed on flowers I like and then jibbered a bit about who/what I like best about Harry Potter. As far as that goes, I’m always a little surprised to find myself liking Neville the best, because he is someone who is very human, but has a really great strength of character. He’s one of the few character who I really think came out better by the end, rather than worse. (I guess Harry himself does improve by the end of things, but I’m not sure I’m ready to forgive him or Rowling for the constant BOOK FIVE SCREAMING BAD BEHAVIOUR.) So for Neville, tucked in the background is a lovely Mimbulus Mimbletonia. In the photo below the Mimbulus is shown most closely on the bottom right corner. (And if you click through, you can open a larger yet version of the photo. I wouldn’t open the largest one – you lose some detail because it’s so very big. You could also look at the rest of Aalia7′s photos of the bag here, including a shot of the lining fabric, which I love.)

Embroidered Bag by Aalia7

All the rest of the plants are “real world” plants: tiger lily, crocus, iris, and jasmine. When I was deciding what I wanted, I sort of focussed on the flowers I really like the most, irises and tiger lilies, and a sentimental favourite, crocuses. I don’t remember how much of this I talked to Aalia7 about, but when I was playing around with ideas, I was thinking a lot about my Grandma, about both my Grandmothers really. My Grandma C died several years ago, and we hadn’t been terribly close, but one of the things I remember about her was going to her house and searching the field behind her house for crocuses every spring. Crocuses are probably the first flower you see where I’m from in Saskatchewan, and their pale purple and sort of dusty green leaves almost blend in with the still winter-dead grasses and plants out in the fields. And they’re only a few inches tall, so they definitely don’t stand out. Both my grandmas lived right near open fields that were never tilled or planted and so were just full of wild everything. Weeds mostly, but also purple and sometimes white or yellow crocuses. My sister and I would pick bouquets of them, which would inevitably wind up in small water glass “vases”.

The reason for the tiger lilies that they are just one of my favourite flowers. I love the vibrant colour, and really they remind me of home because they grow wild in Saskatchewan where I’m from (and they’re the provincial flower and even on the flag). My dad always grew tiger lilies, though not wild ones, in the backyard and I probably got in trouble more often as a kid for getting the dark pollen on my clothes than I did for anything else. Irises are another favourite. My parents grew them in the backyard, and probably both my grandmothers grew them as well. They’re also one of the only flowers I’ll ever buy cut from a store. I don’t know why I find them so lovely, but maybe it’s because they remind me of spring.

The jasmine is a little different. It’s not a plant I’m very familiar with at all, but Aalia7 and I were talking about plant meanings, and I’d mentioned that I’d been looking for something that meant grace, as my middle name means grace. Yellow jasmine is for grace and elegance, and I love how Aalia’s worked them to swirl around the edge of the other flower designs.

This bag is so beautiful I could just frame it or hang it somewhere and stare at it. I hate to think of using it and ruining something! It’s really just exquisite. I love the colour blending in the embroidery and the beading and the texture of it and that all of it is something that’s got some meaning for me. I can’t possibly thank Aalia7 enough. But, you know, thanks! I’m ridiculously pleased to have an Aalia-original :D

01/02/2012

Wordless/Work in Progress Wednesday

by clumsykristel
Honey Drops by clumsy chord
Honey Drops, a photo by clumsy chord on Flickr.

Honey Drops.

(I guess you could say I’ve been on a bit of an embroidery binge lately…)

27/01/2012

Fabric friday

by clumsykristel
Fabric friday by clumsy chord
Fabric friday, a photo by clumsy chord on Flickr.

I haven’t done a Fabric Friday post in a while, so I thought today I’d do one.

I’ve been washing and sorting my fabric over the last while, trying to get through the last batch of some stuff that got an odour while it was stored away for too long. I still haven’t made it through my collection of beiges and off-whites, but I finished the greys and blacks and browns a little while back. Stumbling across this fabric again was such a pleasure. I’ve had this for a few years, but still love it immensely. (As opposed to some of my long-term fabrics that kind of make me go ‘eh’ or make me wonder what on earth I was thinking.)

I have a couple metres of this fabric, but the selvedge has no markings on it to give away who produced it or what line it came from. I sometimes wish I had more because I think it’d be a beautiful quilt back, but I think too that it’d be great in some sort of old-fashioned geometric block, like a tumbling block, maybe.

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