So about three weeks ago, QuiltsFromTheAttic on Instagram posted a request asking people to share photos of their Tula Pink stash. Because I’m slow, I hauled all my fabric out of my closet, but then took a week to take phots, and then took two more weeks to finally write about it here. (How long will it take me to hit the “Publish” button? Who knows!) Oh… hey, Nicholas has a blog, too! Once upon a time everyone I followed on Instagram was someone whose blog I read, and now it seems I follow all kinds of people who have blogs I don’t even know exist.
Anyway, for Sunday Stash this week I thought I’d give you the complete picture of my Tula stash. I think if you’ve followed me for long, you probably know I have a sometimes complicated relationship with my fabric stash. Meaning I love it and I’m constantly adding to it, but I feel horribly guilty about having and not using so much STUFF. I have a slight aversion to using my Tula Pink stuff too because… what happens when it’s gone?! What if I make something and it comes out ugly?! But it’s pretty ridiculous to own fabric and just… shelve it with no apparent intent to use it. It exists with a purpose in mind, so I’d really like to get it there, you know?
At any rate, here goes…
When I first started buying Tula Pink fabric I didn’t really know who she was or what she was about – this was when Plume came out. I was in love with the feathers and I’m almost certain that I got my first credit card specifically so that I could buy some Plume fabric online, since I couldn’t find it anywhere in person. Because I was less afraid then of ruining something that already seemed perfect, I whipped most of it up into a quilt top right off the bat (note: I’ve specifically said “quilt top” because I’ve never actually quilted that quilt…), and the bits shown here and in the photo below are about all that are left of it!
I think of these two photos as sort of the ‘leftovers’ of my Tula collection, by which I mean that they’re bits and pieces where I don’t have anything nearly approaching the whole line. One or two pieces of Prince Charming, a little bit of Hushabye, scraps of Plume. These are pretty much all fat quarters or less, except for the pink birds in the top photo, which I’ve got something closer to a yard of and the red Plume fabric, which I’ve got half a quilt backing of (I sold the other half and then it disappeared into the ether, along with a full shoe box of Tula fabrics). I gave away nearly all of the Moonshine fabric I’d bought, except for these FQs here and some below, which I bought to make into a particular quilt top.
These four Moonshine fabrics will eventually be a Bright Sky quilt, using the pattern from Alyce at Blossom Heart Quilts. These are my most favourite prints from this line – even though there were some cute bits and pieces in some of the other prints, I really didn’t like them much. These butterflies, though? I could keep a bolt in each colour they’re so lovely.
I’ve actually had a lot of mixed feelings about most of Tula’s newer lines. Foxfield. Not a big fan. I bought that ubiquitous Craftsy kit and then when I saw all the troubles people had putting the quilt together, I put these three jelly rolls and bits of yardage into the closet and didn’t really look at them again. There were a few blender prints that I liked from the line, but by and large it left me cold.
Of course… I also felt the same about Neptune, back when it was still readily available. It took me a long time to come around on Neptune and then I frantically started buying it up once I realized how awesome it is.
It’s not all in these photos, but I think I added it up once upon a time and discovered that I’ve got around 17 yards of Neptune fabric. Crazy cakes. And yet I won’t share a scrap of it, even with people I really, really like because I haven’t decided yet what I want to make with it and what if I give away some crucial piece that I can never get back?
I am, in all ways, completely irrational about this line of fabric.
When I was buying this fabric, I really hated the coral colourway most of all and so I hardly bought any of it, but now I feel like it’s really important to the collection as a whole – it helps tie everything together and gives spark and life and why didn’t I buy more of it?
So 17 yards and this isn’t even the complete collection! I know I didn’t buy some of everything, I came late to the party so some things were already getting very hard to find and I wasn’t willing to spend stupid amounts to get it. The only thing that could pry any of this fabric out of my hands is the prospect of trading for the prints I haven’t got. So if you recognize anything that’s missing and want to trade some of something you’ve got for some of something I’ve got… give me a shout! I might (might!) be persuaded.
I always felt like Saltwater was an attempt to return to the awesomeness of Neptune. I don’t think it got nearly there, though I do largely like it. When I pulled this one out to photograph I discovered that one of the prints is missing! I mean, I think there’s one missing anyway. Shouldn’t there be a green life saver ring? What the heck?!
Parisville has long been a favourite of mine. Another one where I’m paralysed by indecision… how can I possibly use it and make the most of it? Because there’s got to be some awesome way of making use of the portraits!
Because these are sublime. But I’m not even sure that I’ve got complete faces for each of the three looks (ship, lion, and mouse). I sold most of the yardage I had (it was part of that lost shipment) so I haven’t got a lot left to work with, should I ever figure out how best to make use of these.
This line and Plume made some of the earliest “girly” in-roads into my life. I never liked feminine, girly, pretty things so I was a bit dumbfounded to like this so much, but I really did fall in love with it. When I was a kid I was obsessed by the decadence of some of these earlier time periods – I poured over library books about Fabergé eggs and royal jewellery collections and the clothing of the late 18th century France – so I suspect this line sort of appealed to that part of me.
Acacia is another line that I had a bit of mixed feeling about. I didn’t love it immediately and hadn’t planned to buy any, but then I saw it in a store and couldn’t stop myself from buying a bunch of Fat Quarters of the line. I whipped it up into a quilt top straight away, but then never did baste and quilt it. I’m loosely planning to use it for Free Motion Quilting practise, but I guess I need to turn these raccoons into a quilt backing if that’s going to happen…
My favourite prints in this line were these blues and greens. I’m not quite sure why because the purples are pretty great too. I really love the blenders from this line, but the focus prints – the raccoons are oddly appealing, but those flowers with the weird stems? – are not my favourite. I don’t really get the pineapple slice prints or those butterflies made of plants or the little triangle/butterfly things (what are they?!), which just seem so stiff and angular and geometric compared to the rest.
The last thing I’ve got is this collection of “bricks” of Tula prints. I took two places in a group that swapped 5×10 pieces of Tula fabrics, so I got two each of all these prints, which I think might get turned into a plus quilt, someday. But then again, maybe not… maybe I’ll just use bits and pieces as the urge takes me. We’ll see, I suppose.
So that’s pretty much the collection. Except that when I hauled these all out of the closet to take photos, I had a minor little panic about all the prints I didn’t buy and how much I might someday regret never having bought them. And then my income tax return came back from the government and… well. I went on a bit of a binge. In fact, I went on a fairly spectacular binge. So next week, if I can get my ass in gear, I’ll post the NEW additions to my own little closet full of Tula fabric. There are yards worth. Yards.
Linking up with Molli Sparkles for Sunday Stash — see the link in the right hand doobly-do, you’ll know it because it sparkles!