Work-in-Progress Girl


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Pushme Pullme Florence Baby Quilt

This newest finish is not one I’d really had on my horizon to get finished, but rather out of nowhere I got a bug up my ass about finishing it, and so I did.

PushMe PullMe Florence Baby Quilt

The last time I wrote about this quilt was in January of 2013. (Yikes! I need to finish more and start less if little, easy to finish quilts like this are sitting around for nearly 3 years!) You should go check out that post – in it I talk a lot more about the pattern, which is the Pushme Pullme block, designed by Michelle Wilkie of Factotum of Arts. I was one of Michelle’s pattern testers for this block and I think the only one who didn’t actually finish what I’d created with it. I’m really glad to have it done now, though – it’s one more thing off my list and better: it’s going to be donated to a Linus blanket charity and is a part of the 100 Quilts for Kids campaign.

100 Quilts for Kids

I really don’t know why I took so long to finish this – with a very simple pattern (a loopy meander), it took just a couple hours to get the quilting completely finished. I think I spent more time trying to decide what binding to use than it took just to get it all finished. I was helped out by it being a fairly small quilt: just a teeny-tin itty-bitty 30.5 inches square.

Both the best and worst places to see the quilting on this is on those dark blue bits of fabric. I will quilt with white thread over pretty much anything and it pretty much always sinks into the background even when you use it on colour, but it sure does look awful on that deep blue! From a distance you could almost imagine that’s a print on the fabric, rather than free motion quilting!

I spent a lot of time contemplating a more complex straight-line quilting pattern that would emphasize the arrows in the blocks, but decided that after 3 years of inaction, I needed to do the fast thing instead of the intricate thing.

PushMe PullMe Florence Baby Quilt

Every print in this quilt is a Denyse Schmidt print, front, back, and binding. All of the prints (except the two binding prints) come from Schmidt’s Florence line – I’d bought a 12 print bundle of blues and greens, and all 12 prints made their way into this quilt. The solid fabrics are all Kona cottons and I pulled most of them out of a jelly roll, so I’m not actually sure what colours they are! The dark blue is Nightfall, which is a really beautiful deep colour (and I wish I had yards and yards of it instead of scraps after having used it in a couple quilts). Its hard to tell in most photos, but there are two different light blues and two different greens – since I only had jelly roll strips, I think there wasn’t enough to stretch out each colour over two blocks.

PushMe PullMe Florence Baby Quilt

The binding fabrics come from Chicopee and (I think) Shelburne Falls. Schmidt creates magnificent plaids (and I’m sort of having a plaid moment right now!) so there are four different plaids in just this one quilt. Too much?

PushMe PullMe Florence Baby Quilt
Obligatory windblown shot!

Anyway, I suppose that’s all there is to say about this little quilt! I really like it and am really pleased to see it finished and ready to find a home with a child in need.

Some quilt stats
Name: PushMe PullMe Florence Quilt
Pattern: Pushme Pulle by Michelle Wilkie
Size: 30.5″ x 30.5″
Fabric: 12 FQs from Denyse Schmidt’s Florence line, plus assorted Kona cottons (featuring Nightfall on the back and in the corners of the front)
Batting: Some weird all cotton no name from Michaels
Thread: White Guttermann (piecing), White Aurifil (quilting)
Backing: Assorted Florence prints, plus Kona Nightfall
Binding: Plaids from Denyse Schmidt’s lines Chicopee and Shelburne Falls.


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Text Me Mini

So first up is my winner for my giveaway last week:

winner

And number 20 was Cindy Dahlgren to whom, some 30 minutes before hitting the button on Random.org, I’d just sent this message back:

cindyd-winner

Serendipity? Anyway, congrats to Cindy!

Anyway, I guess it’s time to show off that finished mini, isn’t it? Unfortunately I didn’t get any particularly good shots of it – the sun had set too far by the time I finished stitching down the binding and I had to get it to the post office and mailed off, so I wasn’t able to wait an extra day to get better photos at a better time of day.

Text Me Mini Quilt Swap - sent

I so wish I had better pictures because I really liked this mini and it may be the only rainbow order quilt I ever make! (I like rainbows and I like rainbow coloured quilts, but generally I like it better when all the colours are all over the place, rather than in strict ROYGBIV order.)

The brief for this swap was to use at least 2 text prints in our mini and all the participants posted mosaics to offer some inspiration. I had a bit of a tough time with my partner’s inspiration mosaic and couldn’t seem to settle into any particular pattern – I rotated through a lot of different ones in my head before I decided on this pattern, which is Glam Garlands by Elizabeth Hartman. My partner is in A LOT of swaps on Instagram and that meant she had a lot of mosaics posted, so I snapped pictures of all of them and looking at them side by side, I decided that rainbows and bright colours were her favourite thing and then to tie it in with the original mosaic a little, I went for the only pattern I knew of with a little bit of party atmosphere.

Text Me Mini Quilt Swap - sent

This shot doesn’t really show the quilting as well as I’d hoped it would, but I wound up using a yellow variegated thread to make something like crepe paper ribbons in my quilting – long wavy lines that criss-cross down the length of the garlands. I kept these quilting lines fairly dense, since I think mini quilts in particular benefit from dense quilting (it helps add some stiffness that lets them hang nice and flat without looking too billowy on the wall). After that I added about 5 or 6 lines in red that are just kind of wavy with a few added loops. Some of my loops came out a little flat (I couldn’t find my quilting gloves and was having some unpleasantness getting a smooth line), but generally I like that addition.

Text Me Mini Quilt Swap - sent

For the back, I used this large piece of measuring tape fabric that I had. The binding was this perfect print with all the rainbow colours and interspersed with bits of text.

I didn’t have time to make anything extra to go along with the mini, but I sent my partner a pile of texty scraps in all sort of colours and some local fabric license plates from the Row Along quilt shop hop thing – she’d been collecting them from her area, so I thought it’d be fun to send some from mine. I didn’t photograph any of those things, though, so no more pictures!

Except there are more pictures, because I recently received my mini from this swap!

Text Mini Mini Swap received

My partner (@jastravers on Instagram) made and sent me this really incredible “Create” mini! When she’d been posting progress shots of it, I’d kind of wished it were for me, but I didn’t really think it would be, but then it was!

Text Mini Mini Swap received

Without counting to be certain, I’d guess that Jasmine used about a dozen different text prints in this mini. She backed it in this fun bird print and if you scroll up and look at the full-on shot again, you’ll see that she used a few bird prints in the background as well. I’m not sure if that was intentional, but I kind of like it anyway! That green bird in the centre at the top is one of my favourite recent prints that I didn’t buy despite liking it so much, so it’s nice to have a little piece of it in something that’s going to live on my wall for a very long time!

Text Mini Mini Swap received

She also sent me this awesome pincushion and some gorgeous Tula Pink fabric…

Text Mini Mini Swap received

and this giant pile of fabric scraps!

I LOVE getting fabric scraps in swaps – it’s always amazing that no matter how much fabric I’ve got, there are always so many other prints I’ve never seen or picked up. I have a very (very!) long-running goal of someday making myself a scrappy log cabin and all these fabrics get horded up for when that idea finally comes to fruition. (I’ve talked about this many times before, I’m sure, but my favourite quilt ever was a log cabin my mom made in the 70s when she was in university. It was mostly made of clothing scraps and a lot of those fabrics rotted right out of the quilt, but I took it with me to university anyway. Every time I washed it, it came out just a little more ragged with that much more exposed batting. My mom finally made me throw it away, but I still miss it because it was hers and then it was mine and it was warm and cozy as anything.)

Anyway, that was my experience with the Text Me Mini Quilt Swap on Instagram! I’m pretty happy with how it all played out. Hopefully in the next couple weeks I can get around to showing you the other minis I made and received this summer. Time to catch up on all the things I skipped over while I was away!


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Strawberry Dumpling Pouch Swap

My goodness I’ve been bad about blogging. What I’m going to show you today was in the mail more than a week ago and has already arrived with its new recipient! I participated in another dumpling pouch swap on Flickr/IG, this one with a berry theme. (I’ve previously done a strawberry themed one, which I seem not to have posted about, and also a Christmas one, which you can see near the bottom of this post.)

I was torn for a really long time about what to make for my partner, but I decided to try to make something that kind of… looked like a strawberry. Leaves on the bottom, red all through the top. Here’s the bottom:

Untitled

Not one of my smoother moves. I forgot how much of the green would get swallowed up by seam allowance, and so not too much is peeking through!

Even if I’d shot the photo head on, at dumpling pouch height rather than from above, you still only see about 1/4-inch of the tallest green bit! Oops.

I’m not too upset about it though because I love red (and so did the lady I sent it to) and I love the fabrics I used. I set out mostly to use solids, but I wanted a little extra bit of prints in there too, so my rule with those was that they couldn’t be white on red, but had to be kind of red-on-red prints in some way. I used a Liberty of London print for the lining – it’s not berry related, but the colour was just perfect and it’s one of the very few Liberty prints that I really love.

I wanted to send along something else, so I also made her this potholder, using this gorgeous strawberry girl print that I’d bought a year or so ago on Etsy. I just used some of the extra strips and bits of red that I’d already had cut for the dumpling and kind of cut off the excess bits of linen from around the print. It’s pretty clear I went into it with no plan at all and I quilted it at the same time as I sewed on each strip, so there’s no visible quilting on the front. The binding was actually leftover binding from sometime else I’d made once upon a time (I can’t remember what.. I’m at a loss as to what I might have bound in red!), which was pretty convenient!

Here’s the back. I was all about using scrap fabric with this, so I fished this gorgeous Laura Gunn print out of my scrap bins. The colours all seemed to work, although in the long run it doesn’t match the binding terribly well. I’m not quite sure why I decided to make this into a pot holder (with insulated batting and everything) rather than making a mini quilt to hang, but it made sense at the time.. Pretty much as soon as I was finished though I’d wished I hadn’t put in the insulating stuff because it’s too pretty to put a pot of spaghetti sauce (or whatever, really) on!

Untitled

And then finally, on the day I was sending this away, I happened to pick up a magazine that came with the materials to make a cross-stitch pendant necklace and a cross-stitch… brooch (I think…). I decided to bang out one last little thing to tuck in, chopped the chain for the pendant down to a little keyring size and stitched that up. I was aiming for something slightly berryish, but I thought it was too plain and added in the blue crosses, which turn it all into something much more abstract. I thought it was kind of cute (if maybe probably definitely useless) so in it went.

I also sent some other bits and pieces, but I didn’t photograph them first. Here’s a photo which I stole from Jan, who received this package:

Dumpling swap from Kristel

So I sent a couple roles of baker’s twine in red and green, a strawberry flavoured lipgloss, raspberry balsamic ganache chocolates, fufu berry Jones Soda candies, and a bit of strawberry related fabric. The fabrics aren’t especially visible because of the way I wrapped them up, but there is about a Fat Eighth each of that jam jar print, a print with tiny little blue strawberries, and a Heather Ross strawberry print, which was the one with the white background and kind of orange berries. I had just a single strip of the pink background version, so I wrapped it around the little stack and pinned it closed to keep them in a nice little bundle.

I really hope Jan loves everything I’ve sent her – it was a fun package to put together. (And I got to taste test some delicious chocolates while in pursuit of a berry flavoured chocolate to include… There’s never any complaints from me about chocolate.)


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Pink and Orange Windmill Quilt

Well, it’s been a lot longer than I meant to be! But I’ve got a finish to share:

Pink and Orange Quilt

I’ve finished my pink and coral and orange and black quilt made using fabrics from Fabric Spark‘s January blogger bundle, which was put together by Jolene of Blue Elephant Stitches. Back in January when I first got the fabrics, I talked a bit about how I found it sort of mystifying collection of colours.

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I expect it was a bit mystifying to me because I’m not generally a very big fan of pink and I don’t really like pink and orange as a combination and I don’t generally like florals and even though I think a splash of black is a good addition to almost any colour palette I sort of found it hard, mentally, to slot this much black in with such sweet colours and prints. But I decided to do something with it straight away and decided on a pattern from McCall’s America Loves Scrap Quilts Winter 2014/2015 magazine, Dutch Breeze by Susan Guzman. I didn’t follow the pattern except to see what width to cut my strips; it was designed for scraps to create a larger quilt and I didn’t want to use more than my original 12 fat quarters, so my fabric strips weren’t going to match up with the pattern in any way (other than width).

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Twelve Fat Quarters turned out 36 blocks (with very, very little fabric waste) and then I had to figure out how to make it all a little bigger and also not square. I didn’t want a square quilt or a baby quilt, but I didn’t want to add too much fabric either, so I figured out that if I used a centre block with 5×6 blocks, then I could put my remaining 6 blocks around the edges to squeeze another 16″ in width/length out. And I could do it using only 1 yard extra fabric.

Pink and Orange Quilt

It took a little creative piecing of the borders, but I did it! Originally I was going to put five blocks up in the top corner and just one in the bottom left (well, this picture is sideways, because I hung it sideways on the fence, but if you turned it clockwise to stand it on end, then this explanation would make sense…), but I would have had to piece the border fabric in chunks and this way let me use 4 panels cut to 8.5″ x 40.5″ – no extra seams necessary! (Other than adding on the blocks, of course…)

I had wanted to use one of the 12 original prints as the border fabric, but I wasn’t able to get enough from Fabric Spark of any of the prints I was leaning towards, so I wound up choosing this Honeycomb in Marmalade from Bonnie Christine’s Sweet as Honey line. This was probably the better choice in the long run, since it’s uses the colours from the bundle, but also didn’t blend in with any of the blocks that might have butted up against it around the edges. And it had a lot of white, which I thought might help tone down some of the PINK ORANGE FLORAL-ness of it. I’m not sure that it worked in that way, but I can live with that anyway.

Pink and Orange Quilt

I constructed the back using yardage of one of the prints from the front, split up with pieced together scraps left over from making the blocks. I’m not sure why, but somehow I convinced myself that the scraps strips were going to be enough seperation that it wouldn’t matter if I lined up the back when I pieced it. Hahaha no. It looks terrible! But I’m reminding myself that it’s on the back of the quilt and most of the time it’s going to be hidden. What does it matter really, in the grand scheme of it all if the back side is a bit ugly?

Pink and Orange Quilt

I tried to think of this project as a practise piece for free motion quilting, since that’s something I’m always wanting to get better at but rarely willing to really practise. I wouldn’t say I did a great job – there’s lot of little jigs and jogs and I’m not very good at regulating my speed and stitch length or the scale of my quilting.

Pink and Orange Quilt

But I tried to have fun with it. I like spirals, but it took me a while to figure out how to deal with the weird awkward bits where one spiral didn’t fill in to the next space. I’ve still got a long way to go in perfecting them, but I like how it looks finished and I’m just not going to worry too much about the bits that didn’t turn out “perfectly” (because done is better than perfect).

Pink and Orange Quilt

I bound this quilt using a black and white dot from my stash (and a little scrap of honey comb in the corner).

I still haven’t washed it, so it might shrink up a little bit yet, but I think it’s going to look good finished (even if I am a bit iffy about pink and orange still!) And I’m just glad to have it done – it wasn’t a project that should have lasted 3 months, but I guess I’m pretty good sat distracting myself!

Some quilt stats
Name: Pink and Orange Windmill Quilt
Pattern: Dutch Breeze by Susan Guzman
Size: About 56.5″ x 64.5″
Fabric: A fat quarter bundle chosen by Jolene of Blue Elephant Stitches, including fabrics from Cotton + Steel, Jeni Baker for Art Gallery Fabrics, and… others. The border is Bonnie Christine’s Honeycomb in Marmalade from her Sweet as Honey line.
Batting: Quilter’s Dream Wool
Thread: White Aurifil (piecing and quilting)
Backing: Amy Butler’s Pressed Flowers in Carmine from her Cameo line.
Binding: A black and white dot.

This was my March goal for A Lovely Year of Finishes, so I’ll be linking up there and with Thank Goodness It’s Finished Friday, hosted this week by Janet at Simply Pieced.