Work-in-Progress Girl


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OMG: One Monthly February Goal

It’s time for One Monthly Goal again…

RedLetterQuilts
Well, I haven’t talked about my January goal, but I did succeed in finishing it! I just need to take it outside and get some decent pictures. And then I need to baste and quilt it.

Choosing thread colours...

Here’s an Instagram shot of me comparing thread colours to the finished top!

But for now, a new goal:

A baby quilt for a friend whose baby is almost 6 months now! If I put it off too much longer, I’m going to have to make a toddler quilt instead and that’ll slow me down in a different way!

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The plan is to take these Lizzy House fabrics from her Constellations line and add to them some white Kona cotton to…. make a wonky cross quilt. Maybe. Or a wonky hashtag quilt. Or maybe… I don’t know. Something. A quilt, anyway! I really need to make a plan!

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I just want to get the top made this month and then maybe in March I’ll tackle actually quilting the thing. But just to get the top, that would be so much better than where I’m at right now! Let’s hope I can make a plan soon!


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Pushme Pullme Florence Baby Quilt

This newest finish is not one I’d really had on my horizon to get finished, but rather out of nowhere I got a bug up my ass about finishing it, and so I did.

PushMe PullMe Florence Baby Quilt

The last time I wrote about this quilt was in January of 2013. (Yikes! I need to finish more and start less if little, easy to finish quilts like this are sitting around for nearly 3 years!) You should go check out that post – in it I talk a lot more about the pattern, which is the Pushme Pullme block, designed by Michelle Wilkie of Factotum of Arts. I was one of Michelle’s pattern testers for this block and I think the only one who didn’t actually finish what I’d created with it. I’m really glad to have it done now, though – it’s one more thing off my list and better: it’s going to be donated to a Linus blanket charity and is a part of the 100 Quilts for Kids campaign.

100 Quilts for Kids

I really don’t know why I took so long to finish this – with a very simple pattern (a loopy meander), it took just a couple hours to get the quilting completely finished. I think I spent more time trying to decide what binding to use than it took just to get it all finished. I was helped out by it being a fairly small quilt: just a teeny-tin itty-bitty 30.5 inches square.

Both the best and worst places to see the quilting on this is on those dark blue bits of fabric. I will quilt with white thread over pretty much anything and it pretty much always sinks into the background even when you use it on colour, but it sure does look awful on that deep blue! From a distance you could almost imagine that’s a print on the fabric, rather than free motion quilting!

I spent a lot of time contemplating a more complex straight-line quilting pattern that would emphasize the arrows in the blocks, but decided that after 3 years of inaction, I needed to do the fast thing instead of the intricate thing.

PushMe PullMe Florence Baby Quilt

Every print in this quilt is a Denyse Schmidt print, front, back, and binding. All of the prints (except the two binding prints) come from Schmidt’s Florence line – I’d bought a 12 print bundle of blues and greens, and all 12 prints made their way into this quilt. The solid fabrics are all Kona cottons and I pulled most of them out of a jelly roll, so I’m not actually sure what colours they are! The dark blue is Nightfall, which is a really beautiful deep colour (and I wish I had yards and yards of it instead of scraps after having used it in a couple quilts). Its hard to tell in most photos, but there are two different light blues and two different greens – since I only had jelly roll strips, I think there wasn’t enough to stretch out each colour over two blocks.

PushMe PullMe Florence Baby Quilt

The binding fabrics come from Chicopee and (I think) Shelburne Falls. Schmidt creates magnificent plaids (and I’m sort of having a plaid moment right now!) so there are four different plaids in just this one quilt. Too much?

PushMe PullMe Florence Baby Quilt
Obligatory windblown shot!

Anyway, I suppose that’s all there is to say about this little quilt! I really like it and am really pleased to see it finished and ready to find a home with a child in need.

Some quilt stats
Name: PushMe PullMe Florence Quilt
Pattern: Pushme Pulle by Michelle Wilkie
Size: 30.5″ x 30.5″
Fabric: 12 FQs from Denyse Schmidt’s Florence line, plus assorted Kona cottons (featuring Nightfall on the back and in the corners of the front)
Batting: Some weird all cotton no name from Michaels
Thread: White Guttermann (piecing), White Aurifil (quilting)
Backing: Assorted Florence prints, plus Kona Nightfall
Binding: Plaids from Denyse Schmidt’s lines Chicopee and Shelburne Falls.


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Brown and Lime Hashtag Quilt

I finished a thing! And this thing was both my A Lovely Year of Finishes January goal AND my first project on my Finish Along Quarter One list!

Brown and Lime Hashtag Quilt

This photo was just for my sister who, when I was lamenting the lack of clean outdoor places to photograph this quilt, suggested that I use her fresh-from-the-car-wash car as a backdrop. There was too much sun, but the car was nice and clean… The quilt, too, was sort of for my sister. She commissioned it for a friend of hers who was having her first baby. The new parents didn’t know if they were having a boy or a girl, so they were doing their nursery in browns and lime greens, and so that was my only requirements for the quilt. I gave my sister a few options of things I wouldn’t mind to try making, and she choose the one I was rooting for all along, a pattern published in the Spring 2014 edition of Fons and Porter’s Scrap Quilts magazine called 42 Hashtags by Tanya Finken of Squares and Triangles.

Brown and Lime Hashtag Quilt

The original version was made with 42 charm squares plus a little over 1.5 yards of white fabric – I made mine with 2 yards of some random brown in my stash (I think it was a Kona cotton, but I’m not sure) and 42 self-cut charms. I pulled all my fabrics except one out of my scrap drawer, leaning as much as possible on lime and grellow sorts of colours, but with a little bit of sky blue, darker greens, and some yellow mixed in as well.

Brown and Lime Hashtag Quilt

Fourteen of the blocks are made with a solid background rather than a print, which I think gives that hashtag centre of the quilt a bit of a twinkliness, as silly as that sounds. It just changes the way your eye moves around, somehow.

Brown and Lime Hashtag Quilt Brown and Lime Hashtag Quilt Brown and Lime Hashtag Quilt

Even though it’s a baby quilt, I didn’t want to have too many children’s prints involved. There are a few novelty-type prints to give a nod to the fact that it is a baby quilt, but otherwise it’s just dots and stripes and other mostly geometric prints. These few animals and the airplane are all I’ve got in that line of things! (And aren’t those sheep from Laurie Wisbrun just the cutest thing you’ve ever seen?)

Brown and Lime Hashtag Quilt

I quilted this very simply so that it would remain soft and drapey, creating two sort of ribboned lines horizontally through each row of hashtags, plus through the borders. If I’d had enough time, I’d have done the same thing vertically, but I was a little short, so I did the vertical borders as well, so that it created a row of hashtags down the sides of the quilt. After that, I went back into the centre of the quilt and added vertical quilting lines to each of the blocks with the brown background, so that they have a completed ribbon hashtag, while the rest of the quilt just has the horizontal quilting. I used a green variegated thread, so that I didn’t have to try to colour match the variety of colours in the hashtags. I kind of like the green quilting on the brown – it gives it a little lift where otherwise it’d be a too big, too brown expanse of fabric.

Brown and Lime Hashtag Quilt

I backed the quilt in a flannel with elephants to tie in with the elephant block on the front of the quilt. Colourwise, it doesn’t match my binding very well, which was largely done with that awesome plaid of Denyse Schmidt’s Chicopee line, but to be honest I don’t really care. I love how the binding looks on the front and the flannel feels nice on the back. That’s good enough! It’s not visible in this particular photo, but one corner of the binding was done in the same solid brown as the majority of the front.

Brown and Lime Hashtag Quilt

I really love this quilt and it was the tiniest bit hard to give up. I may have to make another, larger one some day. Love.

Some quilt stats
Name: I mostly call it the Brown and Lime Hashtag quilt, but that’s because I’m never creative with names.
Pattern: 42 Hashtags by Tanya Finken
Size: About 39″ x 43.5″
Fabric: Assorted green, yellow, and blue prints, with a Kona cotton background, which I think is Espresso, but I can’t find my colour card to doublecheck.
Backing: Cheapie green and white elephant flannel
Binding: Denyse Schmidt’s Simple Plaid in Lime from Chicopee

Posting a #fridayfinish on my blog today about my green and brown hashtag quilt... Love these fabrics I put into it!

So if you made it all the way to the bottom of this ridiculously long post,.. you can be entered to win 42 charms in lime, grellow, green, yellow, and blue fabrics, all cut straight from my stash! They’re not an exact match to the 42 from my quilt, because some of them I didn’t have enough fabric to make two charms, but there are 42, which is enough to make this quilt (or something like it!) for yourself. If you’d like to be entered to win, just leave a comment telling me what you might do with these charms if you won them. (I’m perfectly okay with you saying, “I have no idea!” or that you’d filter them into your own scrap stash to be used as you find the perfect place for them.) [Edited to add: please don’t add this to any sites that compile lists of giveaways. I don’t care who enters my giveaways – they’re open to anyone – but I prefer they go to someone who is reading this because of a link-up I’ve joined or because they just read my blog, rather than because they’ve hit on a site that links them all up.]

Also, edited to add: I forgot to say when I’d do the drawing! All entries need to be in by Thursday, February 5 – I’ll do the drawing when I get home from work on Friday morning.


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A Lovely Year of Finishes: January 2015

I often lose too much of the month with these things by dithering until the last second before deciding what my goal will be, and by then I’ve lost a week of time I could have spent sewing! But I only really have one big goal this month, and that’s to finish my 42 Hashtag baby quilt that my sister commissioned for a co-worker friend who is having a baby. If you follow me on Instagram (@clumsychord), you’ll have probably hit your tolerance level for how many times you want to see the unfinished bits of this quilt…

Forty-Two hashtags, finally. #sewmystash2015

but here is a little more. To be honest, in the last couple days I did get the entire quilt top pieced, but I’m very reluctant to show it because I want to just show the finished piece, when I finally get it there, instead of spoiling it by showing the whole thing now!

43 Hashtags

The mama of the baby this is intended for doesn’t know if she is having a boy or a girl, so she did the nursery mostly in lime greens and browns. So my sister asked for that and then I dug around in my solids stash for a good brown (with enough quantity – I don’t tend to stash a lot of 2 yard cuts of solid fabric in anything but black or white!) and fished around in my green scraps for fabrics large enough to cut 5-inch charms. I wanted to get a good blend of greens, leaning as much toward lime as possible (though I think I tended to hit grellow more – you know, that yellow-green colour that’s kind of like chartreuse I suppose), and then I wanted also to add in a little bit of sky blue and some yellow, just to make sure there was a bit of depth and interest.

43 Hashtags

Piecing all these hashtag blocks together, I noticed that I’ve got a metric ton of dot and… dot-adjacent fabrics. So very many dots!

43 Hashtags

Anyway, the goal for this month is just to get this little thing finished. All that’s left at this point is basting, quilting, and binding. And it’s a pretty small quilt, so it shouldn’t take too long. As always, it’s the basting that’s holding me up. I do love to avoid that particular nightmare as long as possible… but needs must. So my next day off work, that’s going to be my goal – basting. And then after that I think I’ll fly through it. I’ve got a fairly simple plan for the quilting (since my good machine is still in the shop and I don’t want to rely on having it back soon enough to use) so once I get it going, it should be a pretty quick project. And then binding and it’ll be done!

I’m really loving this quilt. I mean, usually I have a half dozen things to point out and say that I’d change this or I’d change that, but assuming all goes well, this one should just be a straight up pat-myself-on-the-back quilt. I need to get it done because I’m just actually kind of excited to show it to everyone!

Linking up with A Lovely Year of Finishes, WIP Wednesday at The Needle and Thread Network, WIP Wednesday at Freshly Pieced, and Let’s Bee Social at Sew Fresh Quilts.


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Jelly Roll Jam II

So I started the draft post of this on Thursday… two Thursdays ago. Apparently I haven’t been very talky lately! Anyway, I hardly had anything written in that original draft (and it referenced Friday Finish, which I’ve now missed twice because I keep on not finishing this entry).

You might have already seen it because I put pictures on Instagram and in one of my Talk to Me Tuesday videos, but I finished a baby quilt using Fat Quarter Shop‘s Jelly Roll Jam II pattern:

Jelly Roll Jam II

This pattern requires just 20 strips of fabric from a jelly roll for the top. I used 15 strips from a Kona cotton design roll – I think it was either the Rainbow palette or the New Colours (but the old new colours, not the current new colours, I’ve had that design roll sitting around for a while) – and added 5 strips of assorted prints. Three of the prints are polka dots, I think from Riley Blake, one is a Denyse Schmidt plaid (the orange one), and the navy chain link one… I don’t really know who that is. But I liked it enough to use it for the binding! I don’t have too much of it left now and no selvedge, so I don’t guess I’m going to figure it out! I forgot to photograph the back, but it’s backed in a navy blue flannel with while polka dots. Just a bit of random fabric I had in my stash. Actually, everything in this quilt came out of the stash – I didn’t have to buy thread or batting or anything for it! Go me! (It’s rare I don’t take the excuse to buy new things…)

This was the first project I sewed – beginning to end (minus hand-sewing the binding) – on my new-to-me Juki TL98E when it came back to me from the repair shop.

Juki TL 98E

By and large it’s been really wonderful to sew on. It sews really smoothly and has really beautiful stitches and it goes SO FAST. I keep saying that switching to this from my old Kenmore machine is like going from a moped to a Ferrari and it really kind of is – just basically no comparison between the machines, except that they both eventually get you where you were going. I love the needle down function (so love it!) and it’s smoother sounding and it makes nicer stitches. (Though I did take my old machine in to get serviced too … first time ever and it’s ten years old! Maybe it’ll make nicer stitches again now too.)

But I ran into problems almost immediately with the 1/4″ foot, which actually makes a slightly larger than 1/4″ seam, leaving me with an entire quilt worth of too small units! The thing is, I actually measured that first seam to see if it was the right size and it really did seem to be, but I think they were all just one or two threads too big and with five seams across a block, it was enough to eat up some width.

Jelly Roll Jam II

Because of the way the quilt is constructed (the blocks are not squares but rectangles), it didn’t actually matter so I just made the quilt slightly smaller in the width than it was meant to be. I didn’t want to pick out all those seams and start over again! So those strips are all supposed to be 2″ finished width, but are slightly closer to 1.75″ when they’re placed vertically. The horizontal strips are actually 2″ because I hadn’t sewn them yet when I discovered the error and I was able to stitch them up properly.

I did a lot (a lot!) of practise stitching with some different ideas for quilting, but I wound up defaulting to a basic all-over stipple. This was the first time I ever did stippling on a non-practise piece. On the old machine I’d always wind up with super tight and tiny little stipples because there was no room for my hands – I had to hold the quilt underneath in the harp space because there wasn’t room for my hand to sit flat atop the quilt and on the left because otherwise it would hang off the edge of the machine – but this Juki has a table and a lot more harp space, so there’s room for two flat hands, which meant I was able to get nice big curves without much difficulty.

Yikes! (some other quilting issues)

Not that it was perfect. I’m having a lot of difficulty keeping a steady speed on this machine. It’s just go so much power and then I wind up going too fast, start to panic, pull my foot off the peddle and then drop down to no speed. Which means there’s a whole lot of variation in my stitch length. But even the largest stitches here are less than a quarter inch in length, so I didn’t pick out any of my stitching. I decided to just let it go because eventually I will sort out the speed issue and as long as my quilts are usable, there’s no point in wasting time and getting really frustrated picking out things that aren’t perfect, but also aren’t that bad.

Yikes! (more quilting issues)

My other issue was the occasional bit of jerking around and making corners where there should have been curves (or little jumped stitches, where I suddenly veered an eighth of an inch to the left or right before continuing the original line – I do have photos of that, but I’m NOT going to fill this entire post with pictures of my little mistakes…). I did the quilt in kind of two passes – half of it on a Thursday and half of it on a Friday – and in the middle of that, I fell down a (short) flight of stairs and strained my back pretty badly in a couple places. Which I tell you because my second half of quilting was a fair bit worse than the first! I was so stiff that I would try to make a motion for a curve, twinge something in my back and wind up jerking around in pain and leaving evidence of it on the quilt top. So there are quite a few of those, and that’s maybe even what happened here. Sometimes, though, it was because I’d forget to stop before moving my hands or I’d try to keep quilting even though I was running out of hand space at all.

In any case, I really enjoyed working on this. I’ve always defaulted to straight line quilting in the past because I’ve been so intimidated by free motion quilting (I did do rows of loopy lines on one previous quilt), but getting this one thing under my belt makes the rest of it seem a little more possible. I just need to keep practising (and get that whole speed control issue figured out).

So this was my A Lovely Year of Finishes goal for the month (I was #93 in the linky!), and I’m so happy to check it off the list! I chose a pretty simple goal, but sometimes it helps to have the extra motivation anyway. And next month I think I’m going to aim just a little bigger… Maybe I should try to get it basted in September so that there’ll be one less thing to deal with…

My Button


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WIP Wednesday: Little Things

Naturally because I have a bit of a goal list for the month, I’ve so far only worked on completely different things. Two of them totally new!

The simplest thing on my ginormous To-Do list was to add borders to two finished baby sized tops and send them away for a Linus group to quilt and gift to a child in need. I even had the borders cut.

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Sure, the lighting is horrible. But so are the borders! I don’t hate all borders on sight (like some capital-m Modern Quilters seem to), but there’s a time and a place for all things, and these two quilts were not the place for borders, apparently.

001

Thing was, they weren’t very square and if you have a not-very-square quilt, adding properly sized borders can really help fix a multitude of sins. But they’re just so awful looking! I couldn’t decide if I should take them off or leave them on, and I left them in the end. I figure if the Linus group that gets them really hates them as much as me, they can trim off 2.25″ width to use as binding fabric (and be left with a skinnier border, that maybe wouldn’t look so bad?) or they can rip them off entirely or they can leave them on because maybe some kid somewhere will appreciate it anyway.

Anyway, after I got that done, I went digging through my drawers looking for a needle. I can’t remember what got me looking for one – I don’t think I had anything that needed hand-sewing – but I did and then I found a little embroidery project that I bought a while ago and never got around to making:

Mr Monkey Man

An embroidered monkey stuffie from Kiriki Press. They sell a sweet little collection of embroidered stuffie kits. This is one of the simplest ones – you only need to know chain stitch and running or back stitch to do the embroidery. I picked it up because I thought it was cute and because Kiriki is an independant Canadian company (and I want to support Canadian talent) and did I mention it’s cute? I’ve only been working on it a little here and there while watching tv, but then I haven’t watched anything in a few days now, so I’ve set him aside again. I’m determined to finish him this month, though, so to that end, I’m going to link up to &Stitches January finish-along. I have lots of other embroidery projects I could try to finish instead, but I’m feeling this one instead.

Potholders in Progress

I’m also working on some pot-holders out of that Christmas fabric I mentioned a couple days ago. I started out following a pot holder/hot pad tutorial, but I got distracted somewhere along the line and sort of did my own thing and then I thought how very boring it was (just this floral fabric on the front/heat reflective side, all that brown background fabric on the back side) so my brain went back to that original tutorial and thought I’d better add some kind of embellishment to break up the front a little.

So today I headed over to Fabricland and picked up a half metre each of those two crochet lace edgings – grand total of $1.13 – to test against the fabric. Neither matches quite exactly – in brighter lighting, the white is a much purer white than the fabric, which is a creamy yellow-based white and the beige is much too dark. (The beige does match the twill tape loops quite well.) But I have enough to do four hot pads, so I think I might just do two with the white and two with the beige and be done with it whether they match precisely or not.

So that’s what I’m working on! And then I need to get working on my bee blocks and some cat-faces…

Linking up to The Needle and Thread Network and WIP Wednesday at Freshly Pieced:
WIP Wednesday at Freshly Pieced


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Double Hourglass Quilt

This post has been a long time coming, but I didn’t like my photos when I first took them threeish weeks ago, and then kept putting off taking more.

Hourglass Quilt

Not that this is such a great photo, stuffed into the bannister of the stairs, but it seemed like the light was going to be good for once (and then it turned out kind of weirdly overlit anyway!). Winter in Canada. A whole season of everything being underlit or overlit via light bouncing off snow. Yay.

Anyway, I finished this one around Thanksgiving, maybe October 14 or 15. It’s a baby quilt, about 36″ x 43″. I didn’t follow a pattern, but this is a very jelly roll-friendly quilt, and a very easy one to make. (If anyone wants to know how, ask and I’ll let you know, but the gist is “sew two strips of fabric together, cut into triangles, rotate to create hourglasses, sew together into a square.”) This quilt was all tailored for an old friend who hadn’t been super into baby themed items for babies (you know, little teddy bears and… I don’t know, whatever), but I didn’t wind up sending it to her in the end. (And when she sent me a picture of her baby, he was wrapped up in something with cute child themed prints anyway – maybe she’s loosened up in the intervening years on the subject. It has been 6 or more years since we’ve seen one another!) I let my mom talk me into sending her the Star Surround quilt instead, so this one will get donated to a Linus group, which is a great way to use it regardless.

Hourglass Quilt

I talked a lot in the past about the fabric selection process for this quilt (here and here) and still wound up changing things a little (I took out one of the fabrics and swapped in a different one), but generally speaking it fits the colour scheme and the type of prints I was aiming for: orange, green, blue, and red using stripes, dots, and other geometric prints. The rope text print doesn’t quite fit, but I let it slide on the basis of it’s a baby quilt. The two Stof prints are certainly more organic than geometric, but they both created a striped effect so I thought that was okay too.

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The fabrics I had the most difficulties with were the off-white ones. As a general rule, I don’t ever put an off-white print together with a pure white print, because the off-white one comes out looking dingy and dirty in comparison. But I bought the fabric online and some of them were more off-white than I was expecting. I even added in the blue/off-white loop print to try to tie in the three existing off-whites. I kept telling myself that all colours go with white and thus off-white also should go with white. It’ll be fine, Kristel. Don’t worry about it so much and nobody will even notice! But it does bother me if I spend too much time looking at those particular prints. (Colours pop so beautifully against pure white, it seems a crime not to use it!)

Hourglass Backing & Binding

I used my favourite print for the binding – that green and navy print from Emily Herrick’s Technicolor line – but it really wasn’t a great choice for a binding (seriously – scroll up to a picture of the entire quilt!) because the look varies so much from one part of the print to another. Still, I love having that green around the edges (and my different coloured corner, of course, in the red and white stripe). The backing you can see is a flannel version of one of the chevrons I used on the front of the quilt – it’s also a larger size chevron. (I think that is a medium size, where the front has a small size on regular quilting cotton. All three of the chevron fabrics I used are from Riley Blake, anyway.) This picture also shows the quilting. I went pretty minimalist with this one and only quilted on the diagonal, a little more than a quarter inch away on either side of the seams. (The foot I use has a marking on the inside of the foot at the quarter inch, but I lined it up with the outside of the foot, so there’s probably an extra 1/8-inch.) I had thought about adding something more, maybe on the white parts of each block, but didn’t want to overkill it, and anyway I find quilts more comfortable when they’re not quilted too densely (though it sure does look good!).

I always have a list of things I’d like to change about the quilts I make – there’s always something in retrospect I wish I’d done better – and in this case, I wish I’d pressed all my seams open. I’m pretty back and forth on that one, but in this case, all those dark edges of fabric that got pushed toward the white (this happened when joining the rows, generally I press toward the dark if I don’t open my seams) show through. When I first took it out of the wash, I was terrified that it had bled because I could see all these kind of streaky bits of colour, but when you get up close, it’s just the fabric pressed under in those particular places. Sigh. Oh well, as far as things I’d like to change go, I’m happy that that’s my only real complaint. I’m usually pretty good at picking apart my flaws, so that one little thing isn’t so bad at all. (Okay. That and those off-white prints. I mean, seriously, designer types: why the off-whites? Do you want dingy looking fabric, because I don’t!)

Anyway, done is good. And that’s another finish for the year. I’m not a terribly prolific quilter (like some bloggers are) and I tend never to finish things, so every finished piece is a bit of a victory.


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Pushme Pullme quilt top

Back in September, Michelle of Factotum of Arts and Squeek Crafts debuted a new pattern she’d created for a block that used nested arrows. Then called This Way That Way, the block plays with value and kind of tessellating pattern to create a really neat design that’s almost like an optical illusion: if you look at it one way, the In arrow stands out and the rest fades into the background, but if you refocus your eye, the opposite occurs and the Out arrow stands out. When Michelle was looking for pattern testers, I was only too happy to help!

Push Me Pull Me quilt top

Michelle has made several blocks in a (mostly) monochromatic colour scheme, using dark and light value blues with white and grey borders, so I wanted to try something a little bit different, to see how it would work out using fabrics with varying colours (not that I went so wild with that, sticking primarily to shades of blue and green, all from the same line). So I made four Pushme Pullme blocks using 8 prints from Denyse Schmidt’s Florence line of fabrics and five different shades of Kona cotton for the borders. (The darkest blue is Nightfall, but the other four were pulled out of a design roll of “New Colours” from… several years ago. I don’t know what their colour names are.)

001

I did all the blocks one at a time (rather than chain piecing the units of multiple blocks) and they took me a little longer than an hour per block – I’m a pretty slow sewist, though, and was also watching a new-to-me movie at the time (“Highway 61″), which was a bit more distracting than I prefer when I’m sewing. Still, they come together very easily. I had been a little concerned about matching up the cross in the centre of the blocks, but that didn’t give me any trouble either.

The blocks are a bit larger than standard – 15 inches finished – which is nice for quilt making because it sizes up a quilt nicely without having to add sashing or borders. My blocks came out a touch small – about 15.25″ rather than 15.5” unfinished. The centre unit was the correct size in every case, but I didn’t measure anything after that, so I think I ate up an eighth of an inch with each of my borders. I rarely sew with a scant seam, but I think I probably should have in this case!

Push Me Pull Me

Regardless, I love the finished top! (And my obligatory wind-blown shot, since I can’t seem to manage a photo shoot in my backyard without it!) I think it turned out as well with my (controlled) blend of colours and prints as it did in Michelle’s monochromatic version, and I think it’d work also with a more chaotic blend of colours as well. I’m imagining a child’s quilt with rainbow blocks, for instance. As long as you maintain the value differences, I think it’ll work out with nearly anything.

I was really hoping to have this quilt entirely finished in time for the mini-blog hop for this pattern, but I got held up making the backing for the quilt. I’m using four more prints from Florence for the back and was going to have a blue cross through the centre to break it all up and to mimic the sashing a little bit, but I went and cut my Florence prints an inch too small all around and so I need to re-cut the blue cross to be a little larger, so that it’ll still be big enough. Anyway, hopefully I’ll finish it up soon. I’m thinking about putting hanging tabs on the back and putting this one up on an empty wall in my bedroom.

In any case, definitely head over to Factotum of Arts, where Michelle is hosting a giveaway and then go check out the posts of my fellow testers. I haven’t seen what they’ve made yet, but I’m willing to bet they all look amazing!

Ashley at Wasn’t Quilt in a Day
Mara at Secretly Stitching
Sarah at Sarah Quilts


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Stuff and Things

I keep putting off writing a post – I’ll do it tomorrow, sort of thing – because most of what I’m going to post about is a little too light to bother about, so today can be a bit of a Random Thursday post, though it’s not really all that random: it’s sewing/fabric related, by and large.

On Wednesday, I received this really incredible swap package for the Flickr Fat Quarter Blender Swap:

FQ Blender Swap Received!

Love, love, love every bit of it. My swap partner really nailed it with this one – you might recall my saying the other day that I’ve been having a Pink moment? Yeah. These will fit right into the mix. I really love Painter’s Canvas (that’s the navy one), and would have it in every colour if I had the money to spend on it. The paper clips are just FUN and that aqua is really lovely.

I also received my swap package for a Livejournal swap, the Talk to Me Tuesday Pound of Love/Crafty Goodness swap, but I didn’t take pictures because I recorded a video. Just have to get the video off my phone and onto YouTube.

I recently mailed off stuff for that Livejournal swap and while I didn’t take pictures of most of what I sent, I did photograph the handmade bit, which was three pot holders:

Patchwork Potholders

I don’t know what sorts of colours my swap partner loves or what types of prints, so I pretty much just let myself go crazy with the scrap bags. I wanted to make something useful, but also beautiful, and hopefully I managed to accomplish that!

Pink Patchwork Potholder

I made this pink one first, more or less following the pattern in the book Zakka Style, which was compiled by Rashida Coleman-Hale (I hope I got her name right, I’m too lazy to go look it up…). The book uses the linen as the binding, which I should have done as it really ties the whole look together, but I didn’t want to cut a big old bias cut right through the middle of my Essex linen. So dark pink instead.

Patchwork Pot-holders

The pattern is for the kind of pot-holders that you can put your hand inside to pick things up, so they’re all done in that style. But I quilted the crap out of these things and even though they function as pot-holders (I tested them!), I was too scared to try holding a hot dish with them. I feel a bit like the super tight quilting clamped all the inner layers together so closely that it holds the heat too close to your hand (even though it does reflect it back up). I don’t know. There are 3 layers of fabric, a layer of cotton batting, and a layer of Insulbrite in each of these, but I was still nervous about it.

This teal one is probably my favourite, but I’m a big fan of teal/aqua. That extra bit of patchwork in the middle was in the scrap bag just like that – it was an off-cut from a quilt top I finished last year (but have never quilted…). Love it.

Chartreuse (I guess?) Patchwork Potholder

This chartreuse one was the last one I made. You can tell I haven’t really made much use of chartreuse in my sewing because I didn’t have too many options in my scrap bins – I had to slip in some other shades of green as well. This features my least favourite binding (I should have chosen a darker coloured print) and I think it knew I wasn’t happy with it, because it gave me all kinds of trouble. There are a couple little puckers, I had to sew the joining seam THREE times. Ridiculous.

Anyway, those are all en route to their new owner, who I hope will love them.

And finally – I need to go blow-dry my hair and get ready for work (I work midnight to 8:30 AM tonight!) – here’s the first block of my next project:

First block

It’s a shame my ironing board shows through, but I’m loving how this is looking. I’ve only got the one block finished, but I’m going to make 30 for the quilt top (it’s going to be a baby top) and hope to get it all together very quickly.

Baby quilt fabrics

These are all the print fabrics I’m going to use, but today I got them all sewed up into strip sets to cut into the block components. All pressed and ready to cut, and then I’ll start sewing them into blocks. I’m using 2.5″ wide strips (the white is a jelly roll), and the blocks come out to just a little bigger than 8.25″ square, though I’m trimming them down to 8 1/4. It’s a bit of an unusual size, but it’s convenient to start with the jelly roll strips, so there it is.

Oh, and finally, here is my September block for the Flickr Simply Solids group:

Simply Solids Aenous Sept. block

More churn dashes! They’re having a moment in the blogosphere.


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Star Surround Finish

I stayed up last night until nearly midnight so that I could finish and submit my Star Surround quilt for the SSQAL Parade at Happy Quilting. It might have been a dumb idea, I don’t know, but I had to get up at 4:30 AM, so dumb feels like an appropriate word. But FINISHED is another, and finished is a very, very sweet word indeed, because I never finish much of anything.

Star Surround

This quilt might be my fastest finish ever – I started it in mid-July and it’s just now mid-September and the entire thing is done and dusted. Well, I haven’t washed it yet, that’s the next step, but I’m pretty confident it’s not going to fall apart in the wash (which is my usual unfounded fear with quilting). Anyway, as a rule, the only things I ever finish in a timely fashion are small items, like pouches and pillows and pin-cushions. (Well, maybe not pin-cushions – I don’t think I’ve ever made one! Just wanted a third ‘P’ because things sound better in threes.)

On Saturday, I pieced the backing, basted the quilt, and got the straight-line quilting done on the top. Then on Sunday I spent most of an hour practising some free motion loopy quilting so that I could add that as well. And then I trimmed, made and machine sewed on the binding, and then stitched it down on the back. I was planning to try machine sewing the binding (and watched about six different videos on the subject) but got scared at the last second and couldn’t bring myself to do it.

Star Surround

Anyway, quilting. If you look closely at that photo, you should be able to see that in two quadrants I stitched north/south in the ditch (every 3 inches) and in the other two quadrants I stitched east/west in the ditch. In between those stitches, I FMQed the loopy lines, which are all kind of variable in stitch length and sometimes a tiny bit choppy, but largely came out pretty well. I’ve always been pretty terrified of FMQ and it feels a little bit like cheating to have chosen a method that didn’t just let me cross my own lines, but actively required it. But I’m really kind of ridiculously proud of myself anyway. I only had to pick out stitches once (where I kind of jerked and wound up with a toe-catcher), and that seems like a pretty big victory. I guess I unpicked a few more times, but that was always only because the thread snapped as I was sewing, so I had to unpick enough so that I could bury the threads and get back to it. I quilted it with Aurifil thread, 40 wt. 4663, which is Baby Blue Eyes Variegated. I had about 6 or 7 thread breaks, well, I say thread breaks, but it was more like it sort of shredded apart, and you could pull of loose tufty bits when it broke like that. I’ve never had that happen with other thread before, but I also have never really done FMQ before, just bits and pieces to practise in the past, so I don’t know that it wouldn’t have happened with other thread.

The fabrics, if you’re curious, are from two different Riley Blake lines, One for the Boys and Boy Crazy. (Two prints each – in the photo above, the dashed stripe and the stars are from one line, the cars and the spiral stripe are from the other.) The background fabric is Kona Robin Egg, which is a gorgeous blue, and the red binding is Kona Coral. The quilt backing is a random no-name flannel that was in my stash.

Star Surround

I didn’t take any particular good photos of the backing, but it’s not a great match for the front – it’s a slightly greener aqua than the Robin Egg, but I thought it worked well enough. Especially since it’s on the back. When I bought fabric for the backing, I accidentally bought enough for the length, but not for the width and so I had planned to piece the backing with… something that wouldn’t look terrible, but didn’t find anything that seemed like it would work. So I dug this aqua with white dots out of my (rather small) flannel stash.

Anyway, that’s that quilt done. Now I kind of want to make another one, but in fabrics I love, and large enough for my bed. But probably I should finish some things… Maybe quilt some of the tops I’ve got laying around. Especially now that I’ve lost my FMQ virginity ;D