Work-in-Progress Girl


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Pink and Orange Windmill Quilt

Well, it’s been a lot longer than I meant to be! But I’ve got a finish to share:

Pink and Orange Quilt

I’ve finished my pink and coral and orange and black quilt made using fabrics from Fabric Spark‘s January blogger bundle, which was put together by Jolene of Blue Elephant Stitches. Back in January when I first got the fabrics, I talked a bit about how I found it sort of mystifying collection of colours.

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I expect it was a bit mystifying to me because I’m not generally a very big fan of pink and I don’t really like pink and orange as a combination and I don’t generally like florals and even though I think a splash of black is a good addition to almost any colour palette I sort of found it hard, mentally, to slot this much black in with such sweet colours and prints. But I decided to do something with it straight away and decided on a pattern from McCall’s America Loves Scrap Quilts Winter 2014/2015 magazine, Dutch Breeze by Susan Guzman. I didn’t follow the pattern except to see what width to cut my strips; it was designed for scraps to create a larger quilt and I didn’t want to use more than my original 12 fat quarters, so my fabric strips weren’t going to match up with the pattern in any way (other than width).

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Twelve Fat Quarters turned out 36 blocks (with very, very little fabric waste) and then I had to figure out how to make it all a little bigger and also not square. I didn’t want a square quilt or a baby quilt, but I didn’t want to add too much fabric either, so I figured out that if I used a centre block with 5×6 blocks, then I could put my remaining 6 blocks around the edges to squeeze another 16″ in width/length out. And I could do it using only 1 yard extra fabric.

Pink and Orange Quilt

It took a little creative piecing of the borders, but I did it! Originally I was going to put five blocks up in the top corner and just one in the bottom left (well, this picture is sideways, because I hung it sideways on the fence, but if you turned it clockwise to stand it on end, then this explanation would make sense…), but I would have had to piece the border fabric in chunks and this way let me use 4 panels cut to 8.5″ x 40.5″ – no extra seams necessary! (Other than adding on the blocks, of course…)

I had wanted to use one of the 12 original prints as the border fabric, but I wasn’t able to get enough from Fabric Spark of any of the prints I was leaning towards, so I wound up choosing this Honeycomb in Marmalade from Bonnie Christine’s Sweet as Honey line. This was probably the better choice in the long run, since it’s uses the colours from the bundle, but also didn’t blend in with any of the blocks that might have butted up against it around the edges. And it had a lot of white, which I thought might help tone down some of the PINK ORANGE FLORAL-ness of it. I’m not sure that it worked in that way, but I can live with that anyway.

Pink and Orange Quilt

I constructed the back using yardage of one of the prints from the front, split up with pieced together scraps left over from making the blocks. I’m not sure why, but somehow I convinced myself that the scraps strips were going to be enough seperation that it wouldn’t matter if I lined up the back when I pieced it. Hahaha no. It looks terrible! But I’m reminding myself that it’s on the back of the quilt and most of the time it’s going to be hidden. What does it matter really, in the grand scheme of it all if the back side is a bit ugly?

Pink and Orange Quilt

I tried to think of this project as a practise piece for free motion quilting, since that’s something I’m always wanting to get better at but rarely willing to really practise. I wouldn’t say I did a great job – there’s lot of little jigs and jogs and I’m not very good at regulating my speed and stitch length or the scale of my quilting.

Pink and Orange Quilt

But I tried to have fun with it. I like spirals, but it took me a while to figure out how to deal with the weird awkward bits where one spiral didn’t fill in to the next space. I’ve still got a long way to go in perfecting them, but I like how it looks finished and I’m just not going to worry too much about the bits that didn’t turn out “perfectly” (because done is better than perfect).

Pink and Orange Quilt

I bound this quilt using a black and white dot from my stash (and a little scrap of honey comb in the corner).

I still haven’t washed it, so it might shrink up a little bit yet, but I think it’s going to look good finished (even if I am a bit iffy about pink and orange still!) And I’m just glad to have it done – it wasn’t a project that should have lasted 3 months, but I guess I’m pretty good sat distracting myself!

Some quilt stats
Name: Pink and Orange Windmill Quilt
Pattern: Dutch Breeze by Susan Guzman
Size: About 56.5″ x 64.5″
Fabric: A fat quarter bundle chosen by Jolene of Blue Elephant Stitches, including fabrics from Cotton + Steel, Jeni Baker for Art Gallery Fabrics, and… others. The border is Bonnie Christine’s Honeycomb in Marmalade from her Sweet as Honey line.
Batting: Quilter’s Dream Wool
Thread: White Aurifil (piecing and quilting)
Backing: Amy Butler’s Pressed Flowers in Carmine from her Cameo line.
Binding: A black and white dot.

This was my March goal for A Lovely Year of Finishes, so I’ll be linking up there and with Thank Goodness It’s Finished Friday, hosted this week by Janet at Simply Pieced.

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Sunday Stash: Indie and Blogger Bundles

I keep writing posts in my head, but not actually sitting down to write them. Here are a couple things I want to talk about:
– the process of quilting the project I’m working on
– why people don’t like certain colours
– why I might never go to Quiltcon (or similar, even though I’d like to)
– creativity vs artistry

Today, though, it’s just all about the fabric. I’ve had fabric coming in by the truckload lately (well, not quite…), so I guess I could talk about that, since I can’t seem to coordinate thinking about those topics up above along with actually sitting down to write. This entry will be about two of the least recent arrivals and maybe next week I’ll do another two. (And by then, I might have another truckload coming, so this burst of spendiness might last me a while in terms of Sunday Stash entries.)

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So first up is my February blogger bundle from Fabric Spark. You probably know I was a bit conflicted about the January bundle – pink and orange and coral and floral and all those things I don’t usually use or pair together – and I think I’m a little bit conflicted about this one too, though in a fairly different way.

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The colours are good, the blender prints are good. The worst I can say about these are that the blue prints are larger than I typically buy in a blender print, but that’s not exactly a bad thing. Mixing up the scale is generally a great thing!

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I’m just a precious baby who never knows what to do with multi-colour prints. Even though I can look at this bundle and see how all the parts come together… I’m just not sure I really love it that way. Maybe it needs to have a few more fabrics added in each of the colours. Or maybe this needs to be a Split It Up and Mix It Into Stash bundle. (Which is exactly what I did with every bundle I got from the Fat Quarter Shop Blogger Bundle subscription, with the exception of John Q Adams/Quilt Dad’s bundle, which I made into a quilt top that I’ve never quilted. Maybe this year will be the year.) I haven’t put it away just yet, though, I figure I should leave it out and let it sort of marinate a bit… maybe I’ll wind up finding some kind of inspiration for it somewhere.

This next batch of fabric is kind of an odd collection in my stash because it’s all sorts of things I don’t like, and in fact I don’t think I like even half the prints in the bundle and there isn’t one single fabric that, if I saw it on a bolt, I’d pick up and buy:

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But damn, do I love it anyway. Pat Bravo’s Indie collection is a mix of a million colours and prints and it’s everything I generally avoid in fabric because it’s just Too Much. And yet it all comes together in some perfect weird harmony that works even though it shouldn’t. Every time I see the collection all together, I just want it completely and so finally I bought it.

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Of this lot, I think the red and green prints on the bottom right are probably my favourite. (Also, notice they’re probably the calmest of the prints I’ve shown.)

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Too much! But I just love the overall vibe of it. I love the richness of the colours. I think it’s got a Bohemian feel. It’s just perfect in some way that I can’t really articulate.

I am hoping to make the same quilt with these fabrics as I’m working on with my first blogger bundle from Fabric Spark; it’s a windmill type block and I think it’s one that will work well with all those crazy fabrics. The only thing is that if I want to use all the Fat Quarters in the bundle, then I needed another five fabrics to make the quilt a decent size. Each fat quarter can create 3 blocks, so I also bought 5 Art Gallery solids, so that I’ll have enough to make 72 blocks, resulting in quilt about 64″ x 72″ in size.

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If I remember right, I picked up Art Gallery Pure Elements in Honey, Fresh Water, Apricot, Nocturnal, and Spiceberry. And since this quilt will be all Art Gallery fabrics on top, I’m really going to need to get a AG backing too. I’m leaning a little toward the floral in the large photo above (probably in blue), but we’ll see what happens. I suspect in the long run I’ll be more interested in finding something a bit cheap, rather than having to order from the US (and pay shipping and exchange and possibly taxes/duty as well), so I might just get whatever Art Gallery fabric is a decent match that is sold by anyone in Canada.

Linking up belatedly to Sunday Stash with Molli Sparkles.