Work-in-Progress Girl


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Sunday Stash: Lime Flannel

So if you follow me on Instagram (@clumsykristel), you’ll know I’ve been working on some brown and green hashtag blocks. They’re going to be put together into a baby quilt for a friend of my sister who is having her first baby… sometime soon. She doesn’t know if she’s having a boy or a girl, but has been doing things up in browns and lime greens, so that was the direction my sister asked me to angle in. I love backing baby blankets in flannels, so I was fortunate to already have a flannel in my stash that I thought would work perfectly…

Flannel

This fabric is Erin McMorris’s Birds from Irving Street (if Irving Street is the name of this fabric line – it’s really tough to read the printing on the selvedge). I also have another chunk of it in yellow, which is pretty awesome too. But I’d kind of forgotten about the pink… We were going to go ahead with it anyway because even if she has a boy, what’s a little pink the grand scheme of things? And if you follow many fabric loving people on Instagram, you know there’s a big push to use stash fabric this year (tied to the hashtag #SewMyStash2015) and I was kind of excited about this because the whole thing was going to be made from stash – all the fabric on the front is straight off my shelves (and scrap bins) and of course this flannel was too. But I went to the fabric store for thread. And that was my downfall, because you know what I found at the fabric store? Fabric. Fabric without pink in it. And it was 50% off, so who can walk away from that?

Flannel

I’d been wanting this Ann Kelle flannel for a long time, but didn’t buy it because I didn’t have a use for it. But now I do! Sure, it’s floral, but what’s a little floral in a (potential) little boy’s life? Not much. But I was pretty sure my sister wouldn’t like it, so I had to pick up a second choice too. Give her some options, you know?

Flannel

My sister likes cute things for little kids (which I usually don’t – I generally avoid children’s prints though I have got a few), so when I found this elephant flannel, I sort of figured she’d prefer it to both the floral and the birds. And she did. I try not to buy these cheaper flannels because they shrink at a greater rate and are far more shred-happy than the nicer flannels you get from the bigger companies (the birds are FreeSpirit and the floral is Robert Kaufman), but I just bought a little extra and if I need to seam it, I’ll probably make a wider seam allowance than I usually would, just to combat possible shredding. Anyway, it’ll be a cute addition to the quilt (and there’s one hashtag block with elephants, so you know… it fits). Now I just need to focus (and get my Juki back from the shop) and get it quilted up so it’ll be ready for the baby shower.

Linking up to Sunday Stash with Molli Sparkles.

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Little Things

I’ve made a lot of little things in the last little while, so here’s a big photodump of an entry talking about all of them.

I guess I should go back in time to the thing I made longest ago, back in September or October, I think, which was a little mini-quilt, based on the Ravenclaw house crest:

Ravenclaw Mini

I made this for Mari-Ann/RockIslander, who is a Ravenclaw. I took a picture of the Ravenclaw crest from online, blew it up a fair bit, traced around the edges of the eagle and transferred the pattern (in reverse) to fusible web. So then I cut it out (using the sharpest cuticle scissors ever, which are so much more awesome for cutting delicate fabric bits than for mangling finger tips) and fused the bird to the background. It’s actually two layers of fused fabric – the background wing was done separately, so that I could use a darker portion of the fabric, which I hoped would give some depth and sort of visually separate the two wings. Then I stitched around the bird, creating feathers in the wings and tail. (You can see a photo of that here from Mari-Ann – my own picture of the back turned out terribly, but I’d already sent it away and couldn’t try for another shot!) In the crest, the stripes run the opposite direction, but I paper-pieced that portion as well, and forgot to reverse that pattern! Oh well.

I like to think that if I were a Hogwarts student, I’d have been a Ravenclaw myself, but I bet I’d have wound up in Hufflepuff because I was really far too lazy a student to have made Ravenclaw when I was in high school. Hufflepuff sometimes seems to be the fall-back house: you don’t fit anywhere else? Well, Hufflepuff it is, then.

Children's Wash Cloths

About two weeks ago I was clearing out some stuff from the plastic cabinets in my sewing room, and I found a pile of children’s fabrics I didn’t even remember I had. I tend to avoid buying children’s fabrics because I never know what to do with them and I don’t have children, so no particular need for items made using children’s fabric. But I do sometimes buy scrap packs of fabric, and I’ve started to amass a fair collection of children’s prints from those scraps and from the occasional times I’ve bought children’s fabrics to make gifts for friends who are having babies. When I found this particular print, I just got the urge to do SOMETHING with it, but it was a small piece of fabric – about 8 to 8.5 inches wide at the largest point by width of fabric – and I couldn’t decide what to do with it. Then I remembered having seen a tutorial ages ago for making wash cloths out of terry cloth and cotton. Well. Terry cloth I’ve got. Several years ago I had the genius plan to make little hooded bath towels for babies. Which, needless to say, didn’t happen. So yeah. Wash cloths. (I didn’t go look for a tutorial because… it’s just not that complicated.) I’m torn between making wash cloths till the end of time (or just the end of that million miles of terry cloth) to use up all the ginormous pile of children’s fabric I didn’t realize I had and just giving away the fabric. I was thinking about getting rid of it all on Sew Mama Sew’s December giveaway day, but to be honest, there’s such a big pile, I’m not sure I’m going to want to pay to ship it all away!

Liberty Pincushion

This is another slightly older one. Back in September I bought some Liberty of London fabric to try it out and see if I’d like it as much as so many people seem to. I don’t. I find most of their prints to be fussy little florals (which is pretty high up my list of dislikes) and while I’m sure it’s wonderful for clothing, it’s so thin that I can’t understand why (some) people want to use it for quilts. Yes, it’ll last for a while, but it’s kind of delicate stuff: I don’t think it’d stand up to continual use in a bed quilt. Anyway, in the pincusion, I blended the slightly thicker than quilting cotton Essex Linen with the slightly thinner than quilting cotton Liberty Tana Lawn, so I used interfacing on the Liberty fabric to give it a little more heft, which probably did it some good. The edges of the cathedral window, particularly near the bottom ends of it, are kind of loose and open in a way I don’t love, but I couldn’t quite figure out how to make them crisper, tighter corners. Maybe putting in a few whip stitches or something to join one edge to the other? (And also, maybe using a thinner fabric than the Essex linen.)

Anyway, you can make your own Cathedral Window pinnie using this pincushion tutorial on YouTube. The first one that I made, above, I made a little larger than the tutorial recommends. She says 10 cm squares for the patchwork back, which is about 4 inches, but I made mine 4.5 inches, and I shouldn’t have because it looks much nicer on the second one, which (though you can’t tell without scale in the photos) I made at the recommended size:

Liberty Pincushion

Okay, the tutorial creates a pretty great pincushion (I think) – I love the cathedral window look and it’s a pretty easy way of creating it – but it’s not the best tutorial out there. The words don’t always line up with what’s being shown in the video and there is one crucial bit of information that doesn’t get talked about that is only shown in text on the sidelines of the video (and if you’re watching the woman’s hands, as I tend to do, you might just miss it). So here’s the most important bit of information: the section that you leave open to turn the pincushion is in the patchwork portion of the sewing NOT when you sew the top to the bottom.

Liberty Pincushion

My stitches are pretty well hidden in the back, but that slightly rippled edge in the top right seam is where I left it open. When I made the first one, I sewed shut the patchwork and left open part of the side, which Did Not Work At All. I had fused on interfacing after stitching the patchwork section, so I had to rip it open and rip through the interfacing, and then restitch it closed by hand after stuffing it. Pain In The Ass.

Anyway, I made this pin cushion (and the following two projects using Liberty fabrics) for Cathy of Blueberry Patch, who won a giveaway prize from me alllllll the way back in August. Yes, it really took me until now to make and send it out. Cathy and I both own shoes made with Liberty fabrics, and I know she’s a fan of Liberty, so when her name was chosen for the prize, I decided to pick up the a Liberty scrap pack (and a couple Fat Eighths) from Pick Click Sew on Etsy so that I could try it out and have some fabric for making the prizes. At the time, I didn’t know what I was going to make with it, but I kind of love all the things I did make.

Liberty Fabric Bucket

The next thing I made was the good old fabric basket from Ayumi’s tutorial at Pink Penguin. This is a great tutorial and a great size and a great way to pull together some of the smaller scraps of Liberty that I’d gotten. The scrap pack had a real mishmash of colours and prints (because I used up all the good red ones in that first pincushion) and I had hard time figuring out how to make them all work together.

Liberty Fabric Bucket

In the end, I just went crazy with the colour combos and didn’t try to match things up at all. I added the little flange of green between the patchwork and linen portions to tie in the lining fabric a little more (especially since there was none of that fresh spring green in the rest of the prints). Some of these prints are just kind of crazy – scroll up to the other photo and look on the far left side at that little carriage print, can you imagine making clothing out of that? who would want to? Anyway, I think it all comes together better than I thought it would, even though there’s nothing in particular tying one print to the next. I used the Essex linen here again, which I think is nice for the base, since it gives it a little extra heft, which helps hold the shape of the basket. (I also put a fair bit of quilting into the basket bottom because I think that helps give it some structure as well. Though really at this small size it doesn’t need too much help. The one larger one I made was too loose and kind of floppy and really could have used a few layers of a nice stiff interfacing.)

Anyway, part of the reason I didn’t have a good grouping of colours to go into this was because I used up most of the red/pink prints on the first pincushion and then I set aside most of the “good” blues (all my favourite ones, anyway…) for making the next item I sent. I don’t have a good photo of this because we’re all light-shunning vampires at my house and I couldn’t find enough sunlight anywhere to photograph it properly, but a Tiny Tree Garland (tutorial/pattern by Noodlehead):

Tiny Tree Garland

I so wish I’d had some blue perle cotton to string these up, but all I had was gold, white, pink (sashiko thread), and red. I went with red because it was the most vivid colour (and white just looked… wrong).

Tiny Tree Garland

I made these using the aforementioned Liberty scraps, but also bamboo felt from TaDaa Studio Felt. I like the bamboo stuff – it’s as soft as nice wool felt, but doesn’t have the allergy issues I know some people have with wool (or the animal ethics issues some vegans have with wool — not that I’ve got that issue myself, but I’ve made things in the past for people who have).

Tiny Tree Garland

I was trying to leave enough space between trees that Cathy could cut it down into a set of seven hanging ornaments if she’d rather use the trees that way (garlands can be awkward! and I couldn’t figure out a NICE way to end the dangling strings – I was sure I had some giant shiny gold beads that I was going to string onto the ends, but I couldn’t find them for the life of me), but looking at the photos, I’m not sure I really left enough string for loops. Anyway, it’d be pretty easy to pull out what’s there and swap in something else. (I did knot the thread on either side of each tree, but… that’s what scissors are for :D)

Anyway, that was my special prize package for Cathy, who received it excitedly yesterday 😀

Okay, jeez. Epic length post here. One last thing:

Flannel-Voile Receiving Blankets

I’ve been all about using things up lately because I’ve been going through another crisis of OMGTOOMUCHSTUFF and these receiving blankets were a way of using up some voile and flannel I had laying around. If I had more flannel in the right colours, I’d use up the rest of my (small) voile stash on blankets just like these. These were made using a Self-binding Blanket tutorial. Mine are a bit smaller than in the tutorial because I only had 1 yd of each cut. I think I cut them in the end to 34″ square for the voile and 30″ square for the flannel, but I can’t quite recall. (I do know neither of the voiles were very well cut yards because I couldn’t get the full 36″ out of them!) Anyway, it came out to about 32″ square for the blankets. They’re not perfect by a long shot – the top-stitching is pretty appalling (I couldn’t find matching thread, so I just went for contrast, but ugh, every flaw is magnified) – but I think they turned out pretty cute anyway. And they’re so lovely and light-weight. Almost makes me want to make a giant bed sized one. (Not that I’ve got a source for extra wide-width flannel or voile, but.)

Okay. 2000 words. That’s longer than some essays I wrote in university. Time to wrap it up.


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First Time Ever

I haven’t done any sewing at all in several days – I worked nights over the weekend and I’ve been all STRESSCASE at work (which, let me say, is getting really old) and have just collapsed in a heap at home the last couple days. I did make the effort twice this week to cook, though, so I guess that’s something! Might not be much, but it’s something. In any case, I haven’t done any sewing for such-and-such reasons, but I’m posting anyway because one of the bloggers I read, Melissa at My Fabric Relish, decided to do a linky for First Quilts Ever.

Link party button

I’ve kind of sort of talked about the my first quilt in the past – my navy and off-white nine patch was the first quilt top I ever worked on, but it’s still not finished! The top is finished, but that’s as far as I’ve ever gotten. I did buy a lot of fabric for the backing last year, but I didn’t end up liking the fabric enough – it was too royal and not navy enough of a blue. So I’m still sitting on that one for now.

But if we’re going to get technical and require a first finish to mean an actually usable finished quilt, then my first finish ever was a baby quilt for an online friend of mine:

quilt-hourglasscomplete

I wish I had a better photo of it, but this is all I’ve got from back in the day (c. 2004 or 2005, I think). It’s all made with flannel, with hourglass blocks and it was quilted in the ditch diagonally and around the borders. I seem to recall having started with larger borders, but then trimming it down to this narrow size so that I wouldn’t have to figure out how to quilt them! I also imagine my mom did most of the quilting herself, because I was using her sewing machine and it always hated me – I’d get tangles and birds’ nests just for looking at that machine the wrong way and EVERY way was the wrong way. All of the fabric was bought at WalMart and I backed it in solid yellow flannel. I’m not in contact with Mandy (the friend in question) any more, but if I were, I’d love to know how the quilt held up! I can easily imagine it having fallen apart in the wash, though of course I hope it didn’t!

My next finished quilt after that was also a baby quilt, also done entirely in flannels. By that point, I’d bought/been given my sewing machine, and was living on my own in Saskatoon. I was in university and had no money (seriously, I grocery shopped with a calculator and kept track of the pennies and tax to be sure I’d have enough food to last out the month!), but a friend of mine was having a baby and at the time I didn’t have a fabric stash, so when I got some of my student loan funding, I went and spent a bunch of it on flannel at a fabric store I can’t remember the name of, but which was close to Midtown mall (if there are any Saskatoonians around to tell me the name, feel free, it was/is? right across the street at the Sears end).

quilt-trianglebabyquilt

I was never quite certain how the Mum in question felt about this quilt – it was garish and bright, but soft and cushy. I tied it with black embroidery floss and backed it with a kind of crazy print flannel:

quilt-trianglebabycloseback

I wasn’t totally sold on that fabric, but I let the shop owner talk me into it (it DID contain all the colours from the front, so…) and while I’m still not crazy about it, I suppose it does work for a child’s quilt. At the time I did this, I was terrified to try properly binding a quilt (I don’t know why! It’s so easy!) so both this quilt and the previous one had roll-over bindings. On the first, I rolled the yellow from the back over to the front and stitched it down, and on this one, the border fabric from the front (the plaid) was rolled over the back and stitched down. I’m not sure that’s the most secure method of binding a quilt, but it felt less terrifying somehow and I was always able to get my mom to help me start it out. (I was confident enough to sew it down, but never confident enough to START sewing it, so I’d have to get her to do the first couple inches and then I’d take over, until I got to a corner, at which point I’d enlist her help again.)

Neither of these are particularly embarrassing first attempts at quilting, but to begin with, I started out with the hand-pieced nine-patch (which would be hard to mess up completely) and then dove into these, which were both VERY simple. Most of my embarrassing early attempts were related to block swaps. The first swap I participated in, I used cheap and (I have to say…) ugly fabric to make really piss-poor Shoo Fly blocks. I’m pretty sure all the blocks were the wrong size and that all the people in the swap wanted to refuse to swap with me again! The next time we swapped, though, I made paper-pieced stars and they turned out pretty spectacular 😀 (That one would be the red and white star closest to the front in this quilt.)

Anyway, that was a bit of a twofer “first time” but it didn’t feel like there was much to say about the actual first finished one, and having not seen it in so many years, I don’t have any insight on how good a job I did (or didn’t!) do with any of it. I can imagine the binding coming unstitched or maybe the cheap fabric kind of wearing through with use. But I don’t mind if that’s what happened with it, so long as those quilts DID get used. Whenever I give quilts to parents these days, I tell them that they’re meant to be used, to be thrown on the grass in the backyard or used as a beach blanket and rolled around and ground into dirt and puked and spilled on and just… used. They can be machine washed and they’re not delicate heirloom quality, so give them a work-out because I’d be more offended to learn they sat on a shelf to keep them pristine for…. what?

Anyway, I’ve got the weekend off work, so I’ve got plans! Plans to make something for my last giveaway (there are two somethings in mind, and they’re both useless but hopefully will turn out beautiful!), plans to piece together the quilt back for my Star Surround quilt, and possibly maybe plans to quilt that quilt. (I’m thinking just plain jane straight-line quilting, just kind of… 1 or 1-ish inches apart, with hopefully a bit of an organic wave to them. I wanted to do free motion, but I’m recalling just how much difficulty I’ve had in the past when trying to do it, and I want to build some more practise sandwiches to work on before trying it on the Real Deal.) I also have a very loose plan to Clean The Fuck Up. (Pardon the language, I try to keep my potty mouth in check around here, but much like the book Go The F*ck to Sleep, sometimes the swears just make the title of the thing what they need to be.) I need to Clean The Fuck Up. And I’ll try to make a post about that. A before and after post, hopefully, but it’s going to be a big, embarrassing job. So we’ll see how that goes… 😀


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Vintage Modern Wonky Star Quilt

I suppose I should come up with more creative names for the things I make, but it’s always just the most basic information with me: a wonky star quilt, made with Modern Vintage fabric. Anyway, it’s my first finish for 2013! The first of several, I hope… (But I shouldn’t jinx myself by saying that.)

Vintage Modern Wonky Star quilt

I’ve been working on this one since November 2012, I think, which for me isn’t a very long time. It’s rare I finish things within months, rather than within years! It does help to have a deadline, though. I didn’t meet my original one – to have it done by Christmas – but I did get it done before my family comes to visit again (that’ll be end of February, most likely). My parents will be tasked with taking this quilt to give to my Grandma, who I made it for.

A very long time ago I started a different quilt for my grandma. It was an origami quilt, where all the nine-patch blocks had origami flowers made using all the ugly floral prints my mom had bought me. (She used to buy me fabric periodically and half the time it was weird floral prints that wouldn’t appeal to much of anyone, I don’t think!) It was the first big project I ever really worked on, and it had A LOT of construction issues. I mean, I didn’t really KNOW it, but I sure figured it out when I started quilting it.

Origami quilt, unquilted

This photo is from before I quilted it, but once I started… well, the borders were all out of whack, so much so that I actually had to fold-over and quilt down about an inch of fabric on one side. (It hides remarkably well – it happened to be right where there was a seam anyway, and it just sort of blends in.) I had a hell of a time figuring out how to quilt it, and I screwed things up a lot and tried mostly unsuccessfully to hide it. The more I tried to make things work, the more frustrated I got with it, and so it’s spent several years languishing in a closet while I mulled over what to do with it… at least, I mulled it over in between year long bouts of pretending it didn’t exist.

Fabric Origami Quilt, 2x2

During one of my annual bouts of mulling things over a while back, I realized the single biggest problem with the quilt: it’s full of raw edges. Every single flower has a raw edge on the underside of each petal, which you can see opened up in the photo above. I’ve made a lot (A LOT) of mini-pillows using these, and it’s not such a big deal that they’ve got raw edges, because you’re not using it, you’re not likely going to have to wash it. But how can you wash a quilt with 65 flowers, each with raw edges on all four petals? So needless, I think, to say… I’ve given up on that quilt. I don’t know what to do with it – it seems ridiculous to bag it up and throw it in the garbage, but I just don’t know how to salvage it.

Anyway, I had to make a new quilt. My Grandma has made me a number of quilts – I think I’ve got four from her, which really I should take proper pictures one day and make a post about them. But I’ve never made her something big before, and I thought she’d probably like to have something I quilted, since I know she’s pretty tickled by the thought that I’ve picked up quilting. The few times she’s seen things I’ve made, she’s had a kind of funny reaction. She finds the colours and prints I use kind of bewildering, I think. I mean, why would I want a quilt with black sashing and bright colours when there are so many pretty pink fabrics out there?

Anyway, Bonnie & Camille’s Vintage Modern is a very pretty fabric line, and although it’s not quite my thing, it’s still something that hits points that appeal to me (the interesting prints, like the houndstooth and those sort of circular ones, the colours – red and aqua and grey), but is traditional and pretty enough to appeal to my Grandma.

Vintage Modern Wonky Star Quilt

I made this using a layer cake – a Moda layer cake will give you 21 blocks, I used 20 and the extra may, if I get around to it, get turned into a cushion – and then red and white yardage, plus a little yardage for the border and binding. Using a layer cake (the equivalent of 4 charm packs) means the blocks are a little larger than standard, about 13.5 inches finished rather than 12 inches. Which is nice, because this makes a decent sized lap quilt for an adult, about 63 x 77 inches.

When I started making the blocks, I was a little concerned that the white stars wouldn’t stand out against the grey prints, so I separated out all of the grey prints (there were 8) and made four blocks in all grey, with the red stars to contrast. The red fabric is cherry Cotton Couture from Michael Miller, and is really beautiful feeling stuff. (I mean, I like my Kona Cotton, I’ve got yards and yards of the stuff, but Cotton Couture is just GORGEOUS stuff to work with.)

Vintage Modern star blocks

I like those contrasting stars in the quilt and I’m glad I did it. (Although I think that’s one of those things that will bewilder my Grandma!) I think those four red stars are probably the wonkiest of all my wonky stars, so that appeals to me too. I was really worried that I’d run out of the white tone-on-tone I used with the multi-coloured prints, so I was being very cautious about how I cut them and how much fabric I used. I did manage to stretch the tone-on-tone over the whole quilt, but I think I was only left with maybe 2 or 3 squares or triangles that would still have been usable. (I don’t know how much I started with – it was probably about a metre, but I’m really not certain.)

Vintage Modern quilt top

I don’t have any really good shots of the quilting in this one, but that’s okay because I kind of did it all ass-backwards and would have done things a fair bit differently if I’d really thought it through before I started, rather than doing the first thing I thought of and then having to slot in everything else around it. In any case, I quilted it in a pale grey that pretty much blends right into the quilt. Before quilting, I tried something new to me with the basting, which was to baste on a table rather than the floor! I found this tutorial from My Fabric Obsession and decided that even if it didn’t work out that well, it HAD to be better than crawling around on the floor to pin baste. It was! I had no problems with wrinkles on the quilt back, and it was so so so so so easy compared to doing it on the floor. No aching back! No worries about leaving pin gouges in the kitchen floor! (I probably left some pin-scratches in my sewing table, but I’m really not worried about that.) I’m definitely going to do that again the future, although maybe I’ll finally suck it up and try thread basting.

Vintage Modern Wonky Star Quilt

I decided when I was working on the top, that I really wanted to have a flannel backing, so that it would be nice and cosy to wrap up in. As a lap quilt, I figure it’s more likely to be used off a bad, and thus without a sheet, so who wouldn’t want an extra fuzzy and soft feeling fabric up against them? I thought I’d probably have to use a solid grey flannel, but Vintage Modern came with several flannel prints as well, and I found someone on Etsy who was selling yardage. I really wanted a grey print (I don’t know why, it just felt right) and was very happy to find that floral that you see up above. This Moda flannel seemed to be a nicer quality flannel than a lot of the solids I’ve worked with before. I didn’t pre-wash the other fabrics, but obviously I did pre-wash the flannel because that stuff can shrink A LOT, but it shrunk much less than any other flannel I’ve worked with in the past. It also didn’t seem quite as shred-happy as a lot of flannels I’ve used.

For the binding, I used a striped print from another line of fabric by Bonnie & Camille, Marmalade, which is another line of pretty vintage-looking florals. I had planned to use the red print with white dots that you can see in the quilt, but went with the striped binding instead because who doesn’t love a striped binding? There’s a part of me that thinks my Grandma would probably have liked the dots better, so that part of me kind of wishes I hadn’t switched to the stripe, but I love the stripe too much to seriously contemplate changing anyway.

So now I need to chuck this puppy in the wash. I’m always scared of washing things – what if it completely falls apart? what if the whole thing comes out in a big ball of shredded fabric and strings? – even though I’ve never had any problems. Irrational fears, eh?


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Fabric Friday: Anna Maria Horner’s Flower Go Round

It’s been half an age since I last did a Fabric Friday post, so finally here is one again. This fabric was a remnant in a scrap pack I bought from Hawthorne Threads (they’d had a sale) and, well, I don’t really like it.

I’m so very hit and miss with Anna Maria Horner’s prints. I bet the next time I go looking around the quilting groups on Flickr, I’ll find a half dozen quilts with this very print involved, and I’ll think it’s fabulous. Somehow it just doesn’t speak to me on its own, though.

Which is why I’m offering this up to someone who wants it! Leave a comment here, and next Monday I’ll do a draw to see who gets it. (And if nobody wants it, I’ll just add it to my bag of Fabrics To Get Rid Of, which maybe someday I’ll actually get rid of…)

Anyway, it is flannel, which feels utterly delicious, and it’s about 12″ by width of fabric. I’m not at all sure what to do with a strip like that of flannel, but maybe someone reading will collect the stuff?