Well, I’m just barely squeaking these ones in for September, but I just finished up my last Square in Square blocks for the month… So so so many square in square blocks in this quilt!
Seven more for September:
I keep thinking I should put all my blocks up on the wall and see how the colours are coming out because I haven’t been planning anything. But maybe they’ll turn out okay without planning. I keep hoping that’ll be the secret to a good scrappy look.
Also not planned?
Chopping off Bicycle Girl’s head.
The other two blocks for September were two Puss in the Corner blocks.
Like Hydee Ann at Splish Splash Stash – Hydee Ann is running the linky for this month and has some great tips for sewing up those million and one square in square blocks – I’ve got to wonder where the heck that block name came from. Maybe I should have found a cat fabric to put in the middle. (But then it would have had to be a tiny little cat because that centre square is only an inch, finished.)
Anyway, that’s September in blocks… And only two more months worth of blocks left to go, then it’s time to start putting it all together.
As mentioned, this month’s linky is being held by Hydee Ann and the prize will be a gift certificate to Fat Quarter Shop, so if you’re sewing along, don’t forget to stop by and link up! (I know it’s the end of September, but it looks like she just wrote her post today too, so hopefully that means the actual link-up will run this week!)
So I’m still ticking along with the Gypsy Wife Quiltalong. Sort of… I’m still months behind on my low volume version, but I am all caught up with the brights version. First up, a block I forgot to photograph last month. Not the most exciting block in the world, which could be why I forgot it…
And then all my August blocks. Which are more of the not-very exciting same.
Yawn. Eight square in square blocks, and then the central block is made up for four incomplete square in square blocks. Not so very exciting. But there’s a lot of square in square blocks to go into this quilt, so I guess it’s a good thing any time we get to knock a pile of them off the list. Maybe next month will be more interesting?
I’d really like to get back into things with the low volume version, but I think it might be left on the back burner a while. I’ve got a lot of other things I want to keep working on. Quilts to quilts, swap projects to swap, etc.
If you’re sewing along with us, come link up with Rachel at Farm Gal Designs. The prize this month is a Fat Eighth bundle of Netorious from Cotton + Steel basics and a hexagons pack of Figures from Zen Chic.
In other news, I’m out of town for the weekend, but when I’m back, I hope to get more comments answered from my birthday giveaway post. I forgot my cell phone at home, so I’ve only got internet access while I’m at the hotel (and we’re not here for too much longer). Yesterday the Tyrrell Museum and the HooDoos and Horseshoe Canyon, today… I don’t know. Atlas Coal Mine, anyway, but we’ll probably head back to Calgary before it gets too late. (I’ve been reminded this trip that my dad is getting old – we hiked down to the bottom of Horseshoe Canyon and back up and for the first time in my life, he needed more breaks than me.)
Edited to add: The winner of the July Gypsy Wife Quiltalong giveaway was Crafty Kat, who is doing a very lovely blue and orange and grey version of the quilt that I’m really liking a lot! Go check out her blocks, they look pretty amazing!
So I’ve been AWOL for a while now, but not for reasons of not crafting (though a couple of weeks of too hot weather did put a bit of a damper on my desire to sew this month), just for reasons of not feeling like updating. I guess I needed a break! I could probably spend most of August just catching up on things I’ve been not writing about since April, but instead I’ll knock out three months worth of Gypsy Wife blocks right now. (Well, my brights version, anyway. I’m still three months behind on my low volume version…)
I’m pretty much in love with my Hope from Hartford block. I rarely love florals and I don’t even really love the one I used, but I love how it looks in this block. I loved how it looked with that teal Je Vous en Prie fabric and even though I don’t love the background fabric for the block, I think it’ll all work out in the end anyway; that background is hardly going to stand out in the face of all the bright and crazy mish-mash of prints and colours that this quilt is going to use. There’s a lot of blue Anna Maria Horner fabric going on in this little collection – you can always tell what’s near the top of the scrap pile with these blocks! – but there’s even more Heather Bailey, which I had been cutting into at the time for a different project that I’ve stalled on.
I count another four Heather Bailey prints in this collection of blocks – definitely the scraps on top of the pile… I went a bit less crazy with my Crazy Anne block than was recommended and just maintained the same four prints around the outside of the block, rather than swapping in something different for each quadrant. This is another one where I was really pleased with the final look – I was so afraid of those half-rectangle triangles, but they came out almost perfectly (maybe 2-3 millimetres short). I’m not sure I love all these bordered square in square blocks, but I’m trying to remind myself that most of them will kind of disappear into the quilt and won’t be so noticeably off or awful.
I felt like I went too pink/purple and blue in the two previous months, so I tried to be really conscious about using other colours in this month’s blocks. But jeez… what was I thinking putting that same dark red-orange on the outside of two different blocks? These blocks won’t be too close together in the quilt (they’re in sections 2 and 8), but if they seem like too much, then I’ll probably pull off the straight borders and swap in something else (although that particular block features the only time I’ve sewn with that Corsage print and actually had a pair of scissors not get half-swallowed up in a seam allowance). Also, you’ll note, I stuck ANOTHER square of that blue Anna Maria Horner print into a square-in-square block. I’m definitely going to have to make sure those blocks all wind up spread out.
Normally I post a photo of my design wall with all my blocks up on it, but I’ve run out of design wall space, so they’re not up there at all. I think I’m going to take down my low volume blocks and start grouping all these brights blocks into sections on the design wall. I know some people are also working on this by section, rather than by the blocks Michelle set out for the month and if you’re having a hard time figuring out what goes where, I’ve made a spreadsheet that breaks down which blocks go into which section. (I took all the data from my previous spreadsheet, which breaks down which blocks we’re making each month. There may be mistakes in either or both documents, but please let me know if you find one!)
Now for the fun bit! Please link up your July blocks (Star block, three Square in Square blocks, and one bordered Square in Square block) and you’ll be entered to win a $25 gift certificate provided by our lovely sponsor Fat Quarter Shop. (A name will be chosen by Random.org on August 1st, but the linky closes late on July 31st.)
If you are working ahead to put your quilt together in sections, just pull together photos of the July blocks and you can still enter to win:
Because I’m a WordPress blog, you’ll go away to another site to enter the linky. Best of luck!
I’m feeling very talky today, so naturally I’m home alone all weekend AND I don’t have to work till Monday. No one to talk to! GAH. I’m going to go crazy. A little bit.
Anyway… I spent so much of May not sewing that I got way behind on my just-for-me sewing plans – I didn’t even look at my May A Lovely Year of Finishes goal (which was my Layer Cake HST Quiltalong) and I didn’t touch my Gypsy Wife blocks at all. So I’m behind by all of May and now need to get June done for two quilts… so that’s going to be my goal for the month, getting all those sets of blocks finished!
Here’s where I’m at:
By the time I’m caught up, I won’t be able to fit all my blocks on the design wall any more! (And so probably I’ll wind up taking down the low volume ones and leaving the brights up instead.)
which means I could finish them by the end of the day if I’d just focus on them. But I’m too distracted! Too distracted by sewing up a block of the Infatuation quilt:
I went and fished another solid out of my bin of solids, one which I fortunately had about three-quarters of a yard of (it takes 5/8s I think to make a single block). I really like this blue, but I think I need to learn to label my solids when they come in the door because I have no idea what colour it is. I’m pretty sure it’s a Kona cotton, but when I compare it to my colour card (which is out of date), I can’t decide what colour it is. I thought at a glance that it was Midnight or Nightfall, but when I put the fabric up closer it looks more like Navy or Indigo. I tend not to find the colour card all that useful in that way… the swatches are two small and I often think I have a match, then when I get it in yardage I discover that it’s really not at all what I thought. Anyway, I actually really like how it looks with a selection of fabrics from Lottie Da and True Colours (crappy Instagram photo):
But whether I love it or not, I don’t know what it is to order more anyway! How much would it suck to make a guess, order 6 yards, and then find out I’d got something a shade or two off?
I’m starting to think that’s what’s going to happen is I’ll make four of these blocks, with four different backgrounds and I’ll either crap out and decide that a 60″ x 60″ throw is enough (or I could slap a border on it so that it’d be big enough to be useful… I’m short, but I like a quilt to wrap under my feet and over my shoulders) or I’ll find something much more neutral and make four coloured background blocks and five neutral ones so that I could mix them all into one quilt. (But then I’d probably not find it that aesthetically pleasing, so. I don’t know.)
Anyway, I also have five or six small things to make, a couple pouches and some hot pads (and I need to find my Insulbrite for those… I know I’ve got two opened packages of the stuff, so I really do need to look) and some other little bits and pieces. None of it sounds like so much when I lay it out like this, but I never seem to sew half as much as I want to, so I never can tell if these ideas of what I should do are realistic. In any case, these are only the things I hope to get done this month… and the Gypsy Wife stuff is the actual proper goal.
So my A Lovely Year of Finishes goal for April was to catch up on all my blocks for the Gypsy Wife quilts, both low and higher volume versions. And hey – I managed it! (Largely because I was on holiday in the middle of the month, so I did a whole lot of block sewing…)
Since I was most caught up on the Brights version, I’ll start there. Here are all my blocks so far – February, March, and April:
I like having all the blocks up on the design wall because it does help a bit to see where I need more or less of a particular colour… but they are not easy to photograph like this!
For April we were sewing seven blocks (see a chart with all the blocks and when to sew them here), mostly Courthouse Steps blocks, but also a Square in a Square and a heart-shaped block, which I totally swapped out for something without a heart on it because ugh.
There are a lot of small bits of fabrics in these blocks and I keep digging through my scrap baskets looking for stuff to use, rather than using the fabric I bought for it. Which is fine, even kind of great, but sort of makes me laugh because I probably could have gotten away without buying anything at all.
This Granny Square block is the one I made instead of the heart block. I just needed a 6.5″ quilt block, and there it was! I’m pretty sure it’ll fit in perfectly with the aesthetic of the quilt, and it saves me from having a block I don’t like taking up space in a pretty awesome quilt. I used a tutorial from Why Not Sew, if you want to try out making one too.
So after that was all the catch-up for the lower volume version – I had to do all of the March blocks and the April ones because I fell behind! Here are all the blocks – February through April – so far:
So here are my March blocks:
The slightly scary Pershing block! As with my brights version, this block came out about 1/8″ too small. Which isn’t bad, but I still wish the pattern had a little more detail about what size the central units should be as you go along, so that I could have measured and saved myself losing that bit of size. I think I pressed this one with a little too much steam and Best Press because I pressed some wrinkles into it. I’ll have to wash it to get those out at this point, I think.
I really love the fabrics on the outsides of both of these blocks. That red one surprises me because it doesn’t feel like a print I’d usually go for, but I just like what it’s adding to these blocks, with the bits of red but lots of neutral. The blue is such an interesting and strange print – I have a feeling it’ll pop up again before this quilt is through…
I question every decision that went into the making of these two blocks. Every single one. I mostly like the prints involved (I don’t like the star print, but I almost never like star prints), but I don’t understand at all why I paired those two blues and those two… whatever those other ones are. From a distance they just sort of blend into a block of nothing.
For my April blocks I did do the stupid heart block. I thought that since I was making two versions of the quilt, maybe I should make one of them properly. I reserve the right to change my mind eventually a swap this out for something else entirely… A note about this one: you’ll be left with a spare hourglass from the construction process, which will be useful in one of the blocks next month – if you save it, you can trim it down to the required size and save yourself a little time.
By and large I’m happy with these, although that peach number is another one that kind of blurs into nothing because the fabrics are two samey. (Also, I need to trim the borders on that one on the bottom left – I cut the outside ring too big.)
This block gives me some troubles. I keep trying to push myself a include bits that I don’t think are necessarily lower volume, because I’m afraid of the quilt falling flat if I don’t play around the the volume a little bit, but I’m not sure this was a successful experiment. I think it might just be too bright, regardless of how quiet they are compared to, say, a burgundy or a navy blue.
This one I think I pretty much got right, though. That blue is fairly dark, but somehow (in the group photo above) I think it just adds a little punctuation, without being such a misstep.
Anyway, next up is the Hope from Hartford block, 3 hourglass based blocks, and more square in square blocks! In the meantime, if you’re quilting along, come link up with Megan at Jaffa Quilts. Our prize this month is sponsored by the wonder Fat Quarter Shop:
Don’t forget to visit all our amazing sponsors who can be found here at Michelle’s blog, Factotum of Arts and check out the schedule to see where we are at! This is a very easy quiltalong to keep up with because there are only a few, often small blocks per month and usually only one slightly more complicated, intense or larger block to complement it. We’d love to have you, so just start sewing along and start linking up! (I don’t think anyone’s double checking to be sure you’re all caught up, so you know… dive in where we’re at and then backtrack through the previous blocks!)
So this is still my project because it’s very nearly May now, so I want to get started on my May blocks right away, before I have a chance to get distracted by all the other wonderful distracting things out there!
Well, it’s only taken me until April, but I’ve finished my (brights) Gypsy Wife blocks!
Here are all my blocks – February and March (plus one bonus hourglass from the future…) – so far. You can see a tiny bit of a couple of my lower volume blocks too down at the bottom, but I haven’t started on those blocks yet…
I started out with the easy blocks, more pinwheels, tiny little pinwheels (I think those central units are 2.5-inches… or maybe they were 3… anyway, small). I really like the framed pinwheels – it sort of makes me want to add more to the quilt somewhere, but then I’d have to start adjusting the sizes of other things to make things fit. The lovely Mari-Ann (@rockislander on IG) sent me some scraps in exchange for some Mendocino scraps I sent her and I bunch of those popped up in these blocks! I’m mostly aiming to cut into larger pieces of fabric for the big blocks in the quilt, but to use scraps in the smaller blocks. There are a lot of little square in square blocks in the quilt, so I think they’ll be great for using up random triangles and weird bits like that.
This is the block that I let hold me up for a long time, the Pershing block. It’s… not as a bad to put together as I expected. But you have to be very careful of all those bias cuts and it helps to sew scant seams throughout and then trim the unit down so that it’s square before adding the next round. It would be really helpful if the pattern had more instruction, like what size each unit should be as you construct it. I kept thinking throughout that I was going to wind up with a too small block and that I’d have to add a half-inch border around it to bring it up to size, but it only wound up about 1/8″ too small all around, which I can live with. It would also be useful to have some instruction on how best to piece the block. I’ve done a lot of traditional piecing in my years of sewing, so I didn’t have issues getting it together, but I think if anyone who was fairly new to traditional piecing were to try it, it would be pretty intimidating. I think pattern writers always have to find that balance between too much hand-holding and not enough, but even just a basic explanation of what to do and when would be helpful for a lot of people.
Anyway, I think I’m going to try to get my April brights blocks done first, then I’ll backtrack and get into the lower volume ones for March and April – I have a week’s holiday in April, so it shouldn’t be an issue, I hope!
So I never did get around to posting my last blocks for February and it’s already a week into March! February was kind of a wasted month, craft-wise, for me, but I did get a big burst of things done right at the end of the month, including a second set of February blocks all in lower volume fabrics.
I spent a lot of January toying with the idea of a low volume Gypsy Wife quilt – it’s such a vibrant, kind of crazycakes quilt that I started to wonder what would happen if you turned everything down a notch. Or ten. And so I put together this block (actually, even before I finished my brights version I’d done this one). It’s very pastel, at least in the centre, and that’s not something I really have a huge amount of in my stash, but I do have a lot of neutrals, so I’m cautiously committing myself to two versions of this quilt. (Cautiously because I’m a little afraid I’ll hit some point where I can’t keep up with two versions, and this will be the one to get put on hold, or converted to a baby quilt or something if I have enough blocks, or I won’t have enough interesting fabrics to make a lower volume version.)
I keep saying “lower” volume, rather than “low” because I’m not quite sure where to draw the line on what is low volume and what is… just quieter or greyer than a lot of the particularly bright, clear colours I have. Just for some examples, when I was looking through my fabrics, I thought the gold in that honeycomb print was sort of… near enough to a neutral that it wouldn’t read too dark/too loud, but it feels a lot darker than anything in the colour wheel block. Or say that tan print in the lower right block – doesn’t it seem kind of dark? The red and the blue on the bottom left also seem just Too Much, even though they both seemed to be very white-heavy prints when I choose them. I guess with those particular prints, it’s partly that I was looking at a larger piece of fabric and then happened to land on cuts that actually contained more of the colour and less of the white space – so I do need to be more conscious of what the fabric will look like when it’s a very small piece, placed into something else. And I need to remember too all of these are just rather small pieces in something that will be much larger, so they might not feel too dark or too bright once they’re surrounded by all the other things.
A lot of these fabrics were fished out of my scrap bins and I’m trying to make a conscious effort to use even the uglies – skip back up one photo and look at that truly horrendous pink floral or even this one here with the ladybug: that print has SNAILS on it (one of my most horrifying sense memories was stepping barefoot on a slug squish and even though snails have shells, I still associate them with slugs and that revulsion I still feel when I think of stepping on it – I’m come from a very dry place where slugs are NOT a going concern, it’s possible I didn’t even know they existed and that running around barefoot in British Columbia in a grassy backyard was a Bad Idea). I’m trying to remind myself that even the uglies can have a place in a quilt, but man is it hard to look at some of those prints and feel okay about mixing them in there!
These are all my blocks so far – brights and quietish. I guess we’ll see where all this goes!
I need to run for work, but I want to offer up a link to a spreadsheet I spent a ridiculous amount of time building, which can be found here that shows all the blocks in the Gypsy Wife quilt with their name, size in quilt (so your loose blocks should be 1/2-inch larger than this), page location in the booklet, month we’ll be sewing them, and (more importantly for me!) what section of the quilt you can find them in. Here’s a small section of it below:
I’m planning to “file” all my blocks in large envelopes by section as they get made (since they’ll overtake my design wall before too long, especially if I keep up making two versions!) so I wanted to know exactly which section each block belong in. Maybe you’ll find this useful too!
Finally, I really, really need to go, but I want to remind everybody about all the incredible, awesome sponsors we’ve got for this quiltalong!
Are you participating in the Gypsy Wife Quilt-a-long? I hope so! It’s a gorgeous quilt and I think it’s going to be a lot of fun putting it together. I’m still hoping to hook in a few more people to join us on this Gypsy Wife Quilt-along; we’re still so early in the process that you could very easily jump in! We’re doing just a handful of blocks each month, so even a couple months from now it would still be pretty easy to join in without being too far behind. (Here is the schedule if you want to see what’s coming and just how easy it’ll be to sew along with us.) As someone with 30+ somewhere-in-progress projects sitting around, I know how hard it is to add another one, but… I also know how very fun it is. (I wouldn’t have 30+ unfinished projects if starting new things weren’t the funnest thing there is!) So why not join us? You can still pick up the pattern from Westwood Acres or Modern Quilter or Queen Bee Fabrics or Vintage Modern Fabrics or probably a dozen other places.
This month we’re sewing one Colour Wheel block and six 4-in Pinwheel Blocks. (Four of the six pinwheel blocks will become 6.5″ unfinished blocks by adding sashing.) Here are mine:
First up is Pattern Errata: There’s a tiny mistake on the Colour Wheel block — the bottom centre unit is missing it’s quarter square triangle. Not much of a mistake, just helpful to fill in the lines for when you’re laying out the block; my repair is shown here in blue.
In any case, I thought I’d offer up a few tips for sewing these as accurately as possible.
Colour Wheel block
There’s a lot of seams sewn on bias cuts in these blocks and that can mean stretched fabric and wonky sized blocks. Usually I try to minimize sewing on a bias cut by doing two units at a time (ie. leaving the squares intact and sewing a quarter inch on either side of the centre line, then cutting it in half and getting two units). You can’t really do anything about the about the units in the middle of each outer row/column, but if you’re willing to make your block with only two main colours, rather than four, you can eliminate the potential stretch on the four outer corners:
I’ve skipped over a lot, there, but you’d cut the background and centre fabrics as described in the pattern. The outer corners would be sewn as in my picture, but the rest you’d proceed as in the pattern.
I wanted mine as scrappy as possible, so I did something else entirely: I sewed mine with paper underneath. I didn’t think to take photos of this when I was working on my blocks, so I’m going to show you while sewing some pin wheel units. The principle is exactly the same, the pieces are just a little larger in the Colour Wheel.
I sewed mine onto paper meant for foundation piecing, but you could also use regular printer paper; I just happened to have this in my sewing room. All I’ve done is put my triangles right sides together, laid the unit on top of the paper at the left edge, and then sewed it 1/4-in from the edge. I also dropped my stitch size to 1.5 on my machine – not as small as I’d use for paper piecing, but smaller than I use for regular piecing. It’ll help keep your seam tight when you pull out the paper (though I do that very carefully anyway).
The reason I specified stitching it from the left is this — I like to do several in a row without pulling the units off each time. When I have a longer piece of paper, I’ll do more down the length of the paper first.
When you take off the paper, you want to fold it back against the seam to help break the perforation. Tear in from the edge of the paper to the first hole of the perforation, then holding one side down tightly, pull gently on the other side of the paper so that it’ll pull away. Once that strip is gone, grasp hold of the fabric unit and gently tug it away from the rest of the paper. Don’t pull it up or down from the paper, just tug it gently to the side – that’ll help keep your stitches in place. Press along the seam line with a nice hot iron after removing the paper and that’ll help tighten up the stitches again too.
Another option is just to pin the crap out of it. I know pinning is boring and feels like a waste of time, but any time you’re sewing on a bias cut is a great time to pin pin pin. It’ll help save your fabric from the feed dogs pulling and stretching the fabric out of whack.
Okay, and my final tip with this block, and with all the pin wheels: TRIM YOUR UNITS. After you press your units, trim them down to size. There’s not much excess, but any little bit that’s there can throw things off; a little extra here plus a little extra there always adds up to weird sized/shaped blocks. I know because for years I ignored the trimming thing, and then one day I didn’t and things started coming together the way they’re meant to. It’s like angels suddenly singing over your quilt blocks, the way things go together after a good trim.
Okay, so there are a lot of ways to make a pin wheel block and I’m going to go over a few of them here. It really depends how scrappy you want your blocks and your quilt to be – I’ve done a couple blocks with only two fabrics, but the rest are at least a little more scrappy than that.
If you want them to be completely scrappy (ie. 8 different fabrics per block), then I’d sew them like I did above – on paper. You can use the four remaining triangles from your Colour Wheel block (you’ll have to trim them down – just cut one new triangle at the proper size, lay it on top of those spare triangles, and trim the larger ones to match the smaller) or cut 8 new squares of fabric, cut them in half, and then start sewing them all back together. Save those other eight triangles for something else or mix them in with still more triangles so that the fabrics get spread around across multiple blocks.
Or you can cut a 4.5 inch square out of another fabric and sew four of the spare triangles onto the straight sides to create another pin wheel worth of units. Likewise, you can use a charm square – there’ll be a little waste in either case, but not too much. This method helps deal with the problem of bias cuts – if you keep your charm square on the bottom, you’ll be sewing on the straight of grain, so there’ll be less chance of stretched block units.
If you use something busy enough (like that orange and blue Amy Butler print) you might be able to make at least part of it look like it’s a different fabric entirely. (That blue and green triangle? Came from the exact charm square shown in the previous picture, same as all the orange/blue prints in the block.)
For a less scrappy block (two fabrics) you have two options. First, you can cut 2 squares in each of 2 fabrics, sew them together on either side of the centre diagonal, cut down the middle of each, and be left with 4 units to make one block.
Or you can sew together two 4 1/4″ squares. You want to throw a couple pins in the middle of this one and then stitch around the outside, 1/4-in away from the edge. If you draw on your diagonal lines, you can stop when you reach the line, pivot and continue around the square. (In fact, you should do this, otherwise you’ll have to do like I did and unpick those couple extra stitches in that last quarter inch.) Next, cut on the diagonal in both directions to create 4 units. They units will be about 1/8-in too large, so you’ll definitely have to trim them down to size.
And I think that’s all the ways I know to make pin wheels. (Except one that makes two blocks at a time, but I didn’t want two identical blocks in my quilt, so I didn’t use it!)
This is kind of a SUPER long post, but I hope there’s been something useful in here for making your own Colour Wheel and Pin wheel blocks! Pop back over in the last week of February and I’ll be hosting a link up and giveaway for everyone’s finished blocks. You can stick photos in the flickr group as you make them – I know we’d all love to see them!
If you haven’t joined up with us because you don’t have the pattern yet, I’m also offering a giveaway of the pattern book this week! Leave a comment below if you’d like to join in and I’ll enter you into the draw. I’ll draw the winner a week from today and get the pattern sent out to you as quickly as possible.
If you’re already participating, that should be reward enough ;D Just kidding… sort of. There’ll be a link up at the end of the month and everyone who links up their completed blocks will be entered to win that giveaway! Michelle has been hard at work lining us up some sponsors: Hawthorne Threads will be furnishing a prize in December and Fat Quarter Shop is providing us with a few prizes to spread out through the year! These are two of my favourite fabric shops, so it’s extra exciting to have them help us celebrate making this brilliant quilt.
So it’s been a little while. I’ve been sewing, though, so I figure it’s all good! I meant to post last week, but then I just didn’t have anything to show and I didn’t even work on reorganizing my sewing room, so then I was going to post over the weekend, but it was my weekend off and I was actually sewing and no way was I stopping just to write a blog post. And then this has been a weird, weird week. I normally work a really set schedule, but I had a first aid course to attend on Tuesday (which shifted my work day by 3 hours from 6 AM to 9 AM) and then I had a training thing on Wednesday (which shifted my work day by 3 hours) and at least when I’m working my normal 6-2:30, I can get home when there’s still a drop or two of sun in the sky, but coming home after 5 pm means it’s already dark enough not to make photo taking virtually impossible.
I used to take photos of everything with flash because fuck it, what else can I do? But I’ve been trying to be at least a little better with my picture taking. And to that end, I asked my mom to buy me a light box for Christmas. Which yay, lightbox! But I can’t get enough light into it! I can clamp lights onto the table for either side, but I don’t have any lamps high enough to get above it and the lighting in my sewing room is unbelievably terrible (I could take off the light cover, which would help a little, but it’s not the most attractive of looks, having a bare bulb), so even the light box isn’t helping too much! (I’ve been trying to use one of the clamp on lights from the top and one from the left and then tilting my sewing lamp in from the right, but the angle is all wrong and the lamp on top is too heavy and it rests right on the light box surface, so it doesn’t really diffuse the light properly. Basically I’m winding up with kind of yellow photos and still having shadows where shadows ought not to be. A couple of Giveaway Day’s ago I won a pdf guide to photography from someone, but do you think I can find that file now?
Anyway, on the subject of Giveaway Day – I never did find a good entry to pop this in, but if I’m calling this one random, then why not now? (Finally!) This December I won a giveaway from Stephanie at Simple Sewendipity!
How pretty is that? It’s a heating pad with lavender in it and it just smells unbelievably delicious. You microwave it to heat it up and then just apply wherever needs some extra warmth. Lovely! (I kind of want to pull it off the heating pad, though, and just hang it up in my sewing room it’s so pretty!)
Right, so, weekend sewing. I started out by pulling a long-standing WIP off the design wall:
I think I started this one about two years ago and I love it immensely, but it just seems like so much work every time I think about it! (It’s all with inset seams and it just gets heavier and harder to put in the bricks each time.) I’m a little worried it’s going to fade since it gets a shot of sun every day, and also it’s kind of made my design wall useless to me. So time to go.
Now this is all that’s up there:
Two of these are going away because they’re bee blocks. The other is my first Gypsy Wife block – just testing things out!
This is my first Stash Bee block, for Heather at Quilts in the Queue. This block was paper-pieced in the centre and then it’s just a sea of white around. I had to make this one twice – the first one when I was pressing it, suddenly came up with two dots of that blue water-erasable ink, which was a bit weird because I hadn’t been using the stuff! It didn’t come off with water like it usually does, so I thought it was going to be garbage and I rotary cut off the white from the sides so that I could trim it down into sizes useful for remaking the block. About an hour later, one of the dots had disappeared and now the second one has gone away, so I don’t know what that was all about. I still have that extra centre unit, but it’s got a 1/4 inch border of white sewn on and I’m not sure it’ll be easy to get off – I’d left on the paper and so I’d used a tiny little stitch to sew it down, and I don’t relish the thought of ripping all those little stitches.
And this is my last block for the Simply Solids group on Flickr, for Laura at Waffle Kisses. This block uses this herringbone tutorial from Bijou Lovely and I think it comes out pretty great looking. I’m really happy with this one and hope the recipient will be happy too.
I also sewed up an entire quilt top, which you can see on Instagram (I’m @clumsykristel), but I haven’t been able to take a proper decent shot of it. It’s too big to tape to the wall for a photo and my yard is such a snowy mess that I can’t take it out and pin it to the fence either. Anyway, hopefully the backing material will arrive soon and then I’ll be able to take a finished photo! (I hope!)
Linking up with Really Random Thursday and Let’s Bee Social:
I was thinking the other day about how, x-hundred years from now, when Chinese or Australian or Indian (Japanese, European, African, South American…) archaeologists are picking through the rubble of post-apocalyptic North America, they’re going to start uncovering the remnants of dozens and dozens of Scrappy Trip Around the World quilts and Economy Block quilts and Single Girl quilts and think there is some kind of special meaning beyond the fact that we all just love our x-alongs. We run a lot of quiltalongs in socialmedialand.
You know you want to! How could you not? And, alternatively, Intrepid Thread is running a Gypsy Wife Block of the Month (wherein you get the pattern to begin with, then an assortment of fabrics every month), but this is such a scrappy quilt I really can’t see wanting to buy a bunch more fabric for it. Especially since I did a little stocking up before December was over, with just this quilt in mind…
I want it to be bright and happy and a little bit crazy because that’s exactly what it should be. (But there’s another part of me that kind of wants to make a second one, all in neutrals and low volumes, just to see what would happen… or maybe blacks, whites, and greys, with occasional bits of red.)
If you’re looking at that pattern cover and thinking, “Yes, please” but also “Oh my god, way too complicated,” then please rest assured that it’s not going to be very difficult. A couple of the blocks are a little more complicated than the rest, but for the most part it’s a lot of things you’ll already be familiar with – square in a square blocks, pinwheels, and so on. AND I happen to have already seen Michelle’s proposed quilt-along schedule and there aren’t all that many components to be made in any given month; it’s going to be so very easy-going that it won’t interfere with whatever else is on your plate. In fact, if you really get going on it, you could find yourself finishing it a lot faster than the quiltalong will ask you to finish it. I’m going to use this as a little side-along to whatever else I’m doing for the month – I can spend a chunk of time one Saturday a month making a half-dozen or so (often small) blocks and then package it up and set it aside until the next month. [ETA: The schedule was posted – you can see it here – after I wrote this post, but before I took the photos to include in it, so it was sitting around as a draft while that schedule was getting it’s first moment in the sun. Also? Michelle is giving away a copy of the pattern! Drop by her post to enter by/before January 16.]
We won’t start sewing until February, so there’s plenty of time to pick up the pattern and decide on fabrics. Check in with Michelle at Factotum of Arts to see the schedule and join up with the Flickr group here.
Cmon…. join us! Ahem. Audrey! Erin! Ashley! Sarah! Joanna! This means you! I’ve seen you all back-and-forthing about it in one place or another….