So I was not a winner this past Giveaway Day at Sew Mama Sew or not a winner of stuff, anyway. Per usual, I found a bunch of new blogs to add to the rotation, even though some weeks I don’t have enough time to read all the blogs I already follow. (Fair question: how much more sewing would I get done if I spent less time reading about sewing?) Point being, that’s winning of a different kind, right? I like finding new blogs and new Canadian blogs (or just new to me ones). And also, I kind of won by finding this gorgeous pattern for the Infatuation quilt, which I bought right away (forget waiting to see if I’d win it or not… let’s face it, with 500+ entrants, I probably wasn’t going to!). I thought it would be perfect for using this bundle of Heather Bailey’s True Colors line that had stumbled into a Mad About Patchwork order some time ago.
The bundle wasn’t quite big enough for the size quilt I want to make, so I started picking up some bits and pieces of Lottie Da, another line by Bailey, to add in with it. Here are a million and one (3) photos of the original line, plus the assorted Lottie Da prints I picked up:
I didn’t plan it out very well because I got enough prints, but I didn’t get enough of the right sort of prints – I’ve got a spare one that doesn’t fit in, plus I need one busier print to go along with two of the blender prints. Each set of nine fabrics will make up three blocks – except the particularly leafy green one (in the bottom photo) won’t be in the quilt and… something else will be. It’ll probably be another butterfly print from Lottie Da, but I’ve ordered two choices so we’ll see what happens.
I was really undecided about what sort of background to use – I don’t want to pull in pure white (since the fabrics have an off-white background) and so I’d checked Hawthorne Threads to see what solids they recommended and they’d suggested a Michael Miller Cotton Couture grey as well as a few of their own Hawthorne Hues fabrics. I happen to know someone with a nice big stack of Hawthorne Hues in her possession – Michelle at Factotum of Arts – so I fired off an email to see what she thought of the fabric itself. You never quite know with solids – Cotton Couture and the Art Gallery Solids are probably the best feeling solids out there, Kona Cotton is nice to work with but less luxurious to touch, Moda Bella and I have had some tiffs in the past (omg the ripples in the fabric, even when I’ve neither pressed nor ironed), I’ve used solids from a local fabric chain store that was much thicker than quilt shop quality solids, but much more shred-happy… anyway, the point being, without actually seeing and touching the Hawthorne Hues, I was a bit nervous to buy 6 yards for a quilt backing.
Michelle was absolutely magnificent and didn’t just tell me what the fabric was like – somewhere between a Kona and a Cotton Couture in terms of feel – but also got out her own bundle of Heather Bailey’s True Colors line and photographed it up against a dozen or so different colours from the HH line and posted it for me on Instagram! She’s the awesomest! I can’t access IG right now (the last couple updates have made it so the app doesn’t function on my phone any longer), so I can’t show you all the photos she took for me, but from her selections I picked out three different Hawthorne Hues fabrics, plus a light grey Cotton Couture to audition for background fabrics.
This orange solid from Hawthorne Hues, Pumpkin, was my total wild-card pick. I think it’s interesting and it lifts up everything and makes it all seem even brighter and happier than it already is… but oh my god does it scare me to think of 5 yards of quilt background done up in pumpkin orange. I don’t actually think I can do it!
Jade, another Hawthorne Hues fabric, is probably my favourite choice. It’s lovely and not so overwhelming as I think orange would be… but I’ve got a finished quilt top that is almost this exact same colour (it’s done in cross-weaves, but it’s a very similar jade). It feels like I should do something different, just because I’ve done that colour before. (I should really get that quilt top basted and start quilting it…)
Plum Azalea (I think? I’m questioning everything right now!) from Hawthorne Hues is my other favourite. It’s very, very similar to one of the colours from the True Colors line, which is a little scary, because I’d hate to piece it and have those purpley-pink prints kind of disappear against it, but look how the oranges and greens pop up off of it? Lovely.
I keep calling this grey, but Michael Miller calls it Khaki. I picked this one up because I thought I’d be too scared by the bold colours and need something lighter to fall back on for the background… but it’s awfully dreary, isn’t it? Or maybe I should say that the only reason it doesn’t wind up dreary is that I cropped enough of the grey background out that you get drawn into the bright Lottie Da and True Color prints and sort of forget that background behind it.
But here’s the real issue with this colour:
What’s that? You can’t tell what you’re looking at because it’s just a big sea of grey? Yeah. Kinda samey, isn’t it? Super duper samey.
I had bought these four colours so that I could do test blocks and see which I preferred, but then I got thinking about it and realized that if I do four test blocks, I’ll have sewn up a throw-sized test quilt! The blocks are 30″, it’ll be a 60″x60″ test! That’s an enormous test! (And yes, okay, I could do a maquette, quilt-style. But I’m not sure I could scale down the curved piece for a maquette.) So yeah, I haven’t quite decided what to do as far as that goes. I’ve got enough of the print and solid fabric to actually make 4 test blocks, so I technically speaking COULD do it… but if I put in that much effort just on the test, am I actually going to want to sew the quilt?
I do need to do at least one proper test block because there is curved piecing and that’s something I’ve never actually done before. Well, I say that. I’ve done it once before. I had gotten some swap blocks long, long ago and one of them was all curved piecing, but kind of badly done, so I pulled the block apart and sewed it together again, to fix the curves. But that was probably eight years ago and I was just fixing a block that had previously been sewn, it’s not like I was starting with crisp new fabric. And I think I did it by hand, which must also make a difference. Anyway, I do need to do at least one test, just to get a bit of curved piecing under my belt, maybe I’ll stop being so scared of it. But I’m not sure I want to do four test blocks. I dunno, I dunno.
Anyway, linking up with the always fabulous Molli Sparkles for Sunday Stash: