Work-in-Progress Girl


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Pushme Pullme Florence Baby Quilt

This newest finish is not one I’d really had on my horizon to get finished, but rather out of nowhere I got a bug up my ass about finishing it, and so I did.

PushMe PullMe Florence Baby Quilt

The last time I wrote about this quilt was in January of 2013. (Yikes! I need to finish more and start less if little, easy to finish quilts like this are sitting around for nearly 3 years!) You should go check out that post – in it I talk a lot more about the pattern, which is the Pushme Pullme block, designed by Michelle Wilkie of Factotum of Arts. I was one of Michelle’s pattern testers for this block and I think the only one who didn’t actually finish what I’d created with it. I’m really glad to have it done now, though – it’s one more thing off my list and better: it’s going to be donated to a Linus blanket charity and is a part of the 100 Quilts for Kids campaign.

100 Quilts for Kids

I really don’t know why I took so long to finish this – with a very simple pattern (a loopy meander), it took just a couple hours to get the quilting completely finished. I think I spent more time trying to decide what binding to use than it took just to get it all finished. I was helped out by it being a fairly small quilt: just a teeny-tin itty-bitty 30.5 inches square.

Both the best and worst places to see the quilting on this is on those dark blue bits of fabric. I will quilt with white thread over pretty much anything and it pretty much always sinks into the background even when you use it on colour, but it sure does look awful on that deep blue! From a distance you could almost imagine that’s a print on the fabric, rather than free motion quilting!

I spent a lot of time contemplating a more complex straight-line quilting pattern that would emphasize the arrows in the blocks, but decided that after 3 years of inaction, I needed to do the fast thing instead of the intricate thing.

PushMe PullMe Florence Baby Quilt

Every print in this quilt is a Denyse Schmidt print, front, back, and binding. All of the prints (except the two binding prints) come from Schmidt’s Florence line – I’d bought a 12 print bundle of blues and greens, and all 12 prints made their way into this quilt. The solid fabrics are all Kona cottons and I pulled most of them out of a jelly roll, so I’m not actually sure what colours they are! The dark blue is Nightfall, which is a really beautiful deep colour (and I wish I had yards and yards of it instead of scraps after having used it in a couple quilts). Its hard to tell in most photos, but there are two different light blues and two different greens – since I only had jelly roll strips, I think there wasn’t enough to stretch out each colour over two blocks.

PushMe PullMe Florence Baby Quilt

The binding fabrics come from Chicopee and (I think) Shelburne Falls. Schmidt creates magnificent plaids (and I’m sort of having a plaid moment right now!) so there are four different plaids in just this one quilt. Too much?

PushMe PullMe Florence Baby Quilt
Obligatory windblown shot!

Anyway, I suppose that’s all there is to say about this little quilt! I really like it and am really pleased to see it finished and ready to find a home with a child in need.

Some quilt stats
Name: PushMe PullMe Florence Quilt
Pattern: Pushme Pulle by Michelle Wilkie
Size: 30.5″ x 30.5″
Fabric: 12 FQs from Denyse Schmidt’s Florence line, plus assorted Kona cottons (featuring Nightfall on the back and in the corners of the front)
Batting: Some weird all cotton no name from Michaels
Thread: White Guttermann (piecing), White Aurifil (quilting)
Backing: Assorted Florence prints, plus Kona Nightfall
Binding: Plaids from Denyse Schmidt’s lines Chicopee and Shelburne Falls.

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Pushme Pullme quilt top

Back in September, Michelle of Factotum of Arts and Squeek Crafts debuted a new pattern she’d created for a block that used nested arrows. Then called This Way That Way, the block plays with value and kind of tessellating pattern to create a really neat design that’s almost like an optical illusion: if you look at it one way, the In arrow stands out and the rest fades into the background, but if you refocus your eye, the opposite occurs and the Out arrow stands out. When Michelle was looking for pattern testers, I was only too happy to help!

Push Me Pull Me quilt top

Michelle has made several blocks in a (mostly) monochromatic colour scheme, using dark and light value blues with white and grey borders, so I wanted to try something a little bit different, to see how it would work out using fabrics with varying colours (not that I went so wild with that, sticking primarily to shades of blue and green, all from the same line). So I made four Pushme Pullme blocks using 8 prints from Denyse Schmidt’s Florence line of fabrics and five different shades of Kona cotton for the borders. (The darkest blue is Nightfall, but the other four were pulled out of a design roll of “New Colours” from… several years ago. I don’t know what their colour names are.)

001

I did all the blocks one at a time (rather than chain piecing the units of multiple blocks) and they took me a little longer than an hour per block – I’m a pretty slow sewist, though, and was also watching a new-to-me movie at the time (“Highway 61″), which was a bit more distracting than I prefer when I’m sewing. Still, they come together very easily. I had been a little concerned about matching up the cross in the centre of the blocks, but that didn’t give me any trouble either.

The blocks are a bit larger than standard – 15 inches finished – which is nice for quilt making because it sizes up a quilt nicely without having to add sashing or borders. My blocks came out a touch small – about 15.25″ rather than 15.5” unfinished. The centre unit was the correct size in every case, but I didn’t measure anything after that, so I think I ate up an eighth of an inch with each of my borders. I rarely sew with a scant seam, but I think I probably should have in this case!

Push Me Pull Me

Regardless, I love the finished top! (And my obligatory wind-blown shot, since I can’t seem to manage a photo shoot in my backyard without it!) I think it turned out as well with my (controlled) blend of colours and prints as it did in Michelle’s monochromatic version, and I think it’d work also with a more chaotic blend of colours as well. I’m imagining a child’s quilt with rainbow blocks, for instance. As long as you maintain the value differences, I think it’ll work out with nearly anything.

I was really hoping to have this quilt entirely finished in time for the mini-blog hop for this pattern, but I got held up making the backing for the quilt. I’m using four more prints from Florence for the back and was going to have a blue cross through the centre to break it all up and to mimic the sashing a little bit, but I went and cut my Florence prints an inch too small all around and so I need to re-cut the blue cross to be a little larger, so that it’ll still be big enough. Anyway, hopefully I’ll finish it up soon. I’m thinking about putting hanging tabs on the back and putting this one up on an empty wall in my bedroom.

In any case, definitely head over to Factotum of Arts, where Michelle is hosting a giveaway and then go check out the posts of my fellow testers. I haven’t seen what they’ve made yet, but I’m willing to bet they all look amazing!

Ashley at Wasn’t Quilt in a Day
Mara at Secretly Stitching
Sarah at Sarah Quilts